In Case You Missed It
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Reviews
U.S. Bombs: Clash Tribute and Hollywood Gong Show EPs (Slope Records, 2017)
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Features
Edge Day 2018: Full Lineup Revealed
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Interviews
Split System: Aussie Punk Outfit Talks Influences, Melbourne Scene, & Fantastic New LP
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Reviews
Laffing Gas, It’s a Beautiful Day in the Gulch (Beach Impediment Records, 2020)
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Features
Easy Money: Arizona Hardcore Group Busts Out Chugging Riffs on “Stalk”
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Record Collectors
Record Collector: Sven, aka adayarecord
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Photo Spotlight
Photographer Spotlight: Rick Beaulieu (Capture the Core)
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Features
The Keeper: Listen to Los Angeles Metallic Hardcore Band’s Debut EP (PREMIERE)
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Features
Final Dose: UK Band Delivers Raw & Blackened Hardcore on “World Prisoner”
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Features
District 105: Quartet Represents Underground Vietnam Music Scene via Vicious Metalcore
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Reviews
SØØN, What the Fuck Did We Dø tø the Earth (Self-Released, 2020)
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Interviews
Marc Strömberg (Swan Sex, Håll Det Äkta, Visual Artist, Hardcore and Soda)
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Features
Dispute: UK Metallic Hardcore Band Offer “No Peace” on Latest Offering
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Interviews
Damaged City Co-Founder Chris Moore on the Fest’s History and This Year’s Installment
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Features
Freewill Revisit Their ‘80s SoCal Hardcore Roots in “The Show” Music Video (PREMIERE)
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Features
Entropy (NY) Offers Fast Melodic Hardcore on “I Like the Cut of Your Gibberish” (PREMIERE)
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Features
2Minute Minor: Chicago Hardcore Punks Stay Busy Despite the Quarantine
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Features
Sevan: Boston Metal Trio Takes Slower, Crushing Route on “Desert Walk” (PREMIERE)
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Features
Bronca: Coachella Valley HC Band Pays Tribute to Their Mexican Roots on Debut EP
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Interviews
Year of the Knife Singer Tyler Mullen on the Nightmares That Shaped Internal Incarceration