In Case You Missed It
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Features
The High Cost of Playing God: Austin Band Makes Huge Impression on Debut EP
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Reviews
Crown Court, Capital Offence (Katorga Works, 2016)
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Features
Abstain Singer Brady Schiller on Their New Label Deal, San Diego Hardcore Scene’s Rich History
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Interviews
Javier Villegas (Born Against, Cattle Press, Iabhorher, Our Gang)
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Interviews
Bridge Nine Founder Chris Wrenn on Moving Headquarters, New Business Venture + More
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Features
Guardrails: Virginia Hardcore Band Gears Up for Debut EP Via “How Many Times?” (PREMIERE)
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Features
Prize: New York Band Blends Noise Rock Swagger with Hardcore Power on New EP
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Features
Baroness: Acoustic Performance @ Darkside Records, Poughkeepsie, NY (PHOTOS)
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Features
Goon: Denver Punks Make Maniac Music on “Ain’t Rite” (PREMIERE)
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Lists
Best Morrissey and Smiths Rockabilly Songs
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Interviews
Marc Strömberg (Swan Sex, Håll Det Äkta, Visual Artist, Hardcore and Soda)
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Features
Serrate: Asheville Band Worships ‘90s Screamo & Metallic HC Sound on Debut Release (PREMIERE)
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Interviews
Void Bassist Chris Stover Looks Back on the Band, Working with Dischord Records + More
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Interviews
Fotocrime: Ryan Patterson Talks New Album, the Influence of 120 Minutes & J. Robbins
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Features
Twisted Dream: Introducing New Band Feat. Malice At the Palace Members
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Reviews
Ursula, I Don't Like Anything (Indecision Records, 2025)
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Features
Flatspot Records Signs Outsider (INTERVIEW w/ LABEL OWNER RICKY SINGH, DRUMMER JAMIE DAVIS)
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Features
Ghost Decibels: Chaka Malik (Burn, Orange 9mm) Returns with “Something to Live For” (PREMIERE)
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Photo Spotlight
Photographer Spotlight: Pablo Vigueras
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Features
Sea of Shit: Chicago Power Violence Unit Ends Hiatus with Brutal New Album