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In Case You Missed It
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Reviews
Mile End, Mile End (Self-Released, 2021)
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Features
Insecurity: Members of Harm Done, Raw Justice Deliver Youth Crew-Styled HC on Debut EP (PREMIERE)
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Interviews
Mark Scondotto (Shutdown)
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Features
Anthony Moreschi (Ten Yard Fight, Stand and Fight) on His New Documentary Series + More
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Features
Fake It: California Band Weaves Melancholic Guitar Jams on ‘The Family Name’ EP (PREMIERE)
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Lists
5 Killer Cover Songs: Ramones
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Features
Sacred Fire: LA Crossover Thrashers Get Our Attention on “Echo Chamber” (PREMIERE)
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Record Collectors
Record Collector: Brooklyn and Dillon, aka thegrapevinyl
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Features
A Discussion About Discharge’s Los Angeles Shows in the 1980s
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Features
Direct Measure: St. Louis Hardcore Band Returns with “Realm of Grief” (PREMIERE)
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Features
Trust Records: Hardcore Scene Veterans Launch New Record Label, First Releases Announced
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Features
Hazing Process: Torena’s Julien Urias Has a New Bandโand It Rips
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Features
Worst Self: Michigan Hardcore Trio Discuss Debut EP, Their Love for Oasis
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Reviews
The History of Nemesis Records, by Patrick Kitzel (Reaper Records, 2017)
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Interviews
Damien Moyal (Culture, Shai Hulud, As Friends Rust, Morning Again, On Bodies, Damien Done)
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Features
UV-TV: Gainesville Group Dispatch Infectious Jangle Punk Via “Happy” (PREMIERE)
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Features
Remain Sedate: Kansas City Band Melds Chaos + Metallic Hardcore on New Record
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Features
Home Invasion: Chicago Straight Edge Hardcore Outfit Unleashes Pure Power on New Tracks
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Features
Menace TX: New Pop-Punk Outfit Rises from Lone Star State Hardcore Scene
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Features
Horrible Earth: Boston Grind Band’s Latest Album Was Made for These Nightmarish Times