In Case You Missed It
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Record Collectors
Record Collector: Veith Franke, aka vinylcollector75
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Interviews
Ryan George (Carry On, The Adored, Youth Code)
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Interviews
Meet the UK Hardcore Musician Who Moonlights As a Leather Tailor
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Features
Urban Sprawl: Hardcore in the Bay Area, Gentrification + More
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Interviews
Scott Peterson (Cryptic Slaughter)
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Features
STRAIGHT EDGE Book Discussion in Los Angeles (PHOTOS)
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Lists
Axis: The Band’s Most Unlikely Influences
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Reviews
Outer Heaven, Realms of Eternal Decay (Relapse Records, 2018)
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Features
Revelation Records Invades Bandcamp
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Features
Vitamin X, Drug Control, Skullcrack + Rod of Correction @ SPACE, San Diego...
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Reviews
Backtrack, Bad to My World (Bridge Nine Records, 2017)
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Interviews
Chiqui Rodriguez (Dmize)
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Features
More Pain: Justin Pearson (The Locust) & Nick Zinner (Yeah Yeah Yeahs) Get...
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Features
Gritty’s Kids: New Philly Band Interview Series Kicks Off with Interloper Q...
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Interviews
Michael Gibbons (Leeway)
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Interviews
Record Label Profile: Dark Descent Records
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Reviews
Frank Iero and the Future Violents, Barriers (UNFD, 2019)
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Interviews
Perra Vida: Hardcore Straight from Peru
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Features
No Idea: The LIHC Legacy Is Strong on “Break Through” (PREMIERE)...
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Features
Hold Down the Ocean: Ex-Mems of All Else Failed Return on “I’ve Heard the N...
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Interviews
Son of Fogman (USA Out of Vietnam)
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Reviews
Pyralis, Everything Is Emptiness (Good Fight Music, 2018)
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Features
Night Witch’s “Corrupted” Is a Message to Men About Their Predatory Behavio...
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Features
Chokehold to Drop With This Thread I Hold On Album, Stream Its Opening Cut...
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Photographers
Photographer Spotlight: Joe Calixto
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Reviews
At the Gates, To Drink from the Night Itself (Century Media Records, 2018)
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Features
Druse: NY Band Delivers Atmospheric Post-Hardcore on “Annalisa” (PREMIERE)...
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Features
Have Heart @ The Palladium, Worcester, MA (PHOTOS)
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Lists
Top 5 Melodic Bassists of Rock