Content Tagged: 185 miles south
In Case You Missed It
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Interviews
Al Quint (Suburban Voice Zine)
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Features
Locked Inside: Straight Edge Hardcore Band Unites Vets from the Scene on De...
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Reviews
No Use for a Name, Rarities Vol. 1: The Covers (Fat Wreck Chords, 2017)
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Features
The Story Behind the Fake BOLD Reunion of 1996
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Lists
My 5 Favorite '90s Hardcore Records, by Pete Cortese (Death Ray Vision, Ove...
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Features
Maniac: Clevo Hardcore Meets Touch & Go Records on “Live Crucifixion” (...
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Features
STRAIGHT EDGE: A Clear-Headed Hardcore Punk History (CHAPTER EXCLUSIVE)
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Features
A Look at the ‘80s and ‘90s UK Straight Edge Hardcore Scenes
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Interviews
Bassist Spotlight: Eric Odness (Ageist, Primitive Weapons, The Wanted)
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Record Collectors
Record Collector: Robert Warner, aka robertthehipster9
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Features
2Minute Minor: Chicago Hardcore Punks Stay Busy Despite the Quarantine
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Features
Vanguard: New Militant Vegan Hardcore Outfit Makes Debut with “To Suffer” (...
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Record Collectors
Record Collector: Mike Ciero, aka thevinylcommand
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Features
Ink & Dagger: It’s All True (Part 1)
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Features
Lordz of Brooklyn to Return with a New Album, Family Reunion
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Lists
Vitamin X Singer Marko Korac on the 5 Best and 5 Worst Things About Touring...
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Interviews
Chris Kelly (97a, Teamwork Records)
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Interviews
Andrew Monserrate (New York Hardcore Artist)
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Features
Night Witch’s “Corrupted” Is a Message to Men About Their Predatory Behavio...
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Features
Death Cults (Ex-Pilot to Gunner, I Hate Our Freedom) Forms in the Name of P...
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Reviews
Integrity/Krieg, Split EP (Relapse Records, 2018)
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Photo Spotlight
Photographer Spotlight: Aaron Rhodes
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Features
The Messthetics, Escape-Ism + Shells @ Masonic Lodge at Hollywood Forever (...
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Features
Mil-Spec, Wild Side, Praise + Vortex @ Handlebar, Toronto (PHOTOS)
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Interviews
NYHC: New York Hardcore 1980 - 1990 (Interview with Author Tony Rettman)
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Features
21-Guitar Salute: André Schlesinger from The Press
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Interviews
Jensen Ward (Iron Lung, Innumerable Forms, Nasti)
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Features
New Artist Focus: The Fight
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Reviews
Ekulu, Ekulu (Self-Released, 2018)