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In Case You Missed It
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Features
Pass Away: I Am The Avalanche, Crime In Stereo Members Bring Melancholic Punk on “Moss Bar” (PREMIERE)
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Features
When the Major Record Labels Came Knocking: ‘90s Hardcore Takes Big Swing
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Reviews
Morbid Angel, Kingdoms Disdained (Silver Lining Music, 2017)
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Record Collectors
Record Collector: Mark Ehrie, aka trublvr73
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Features
Kill Your Idols: Walking Down Memory Lane with the LIHC Greats
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Interviews
ORC: Aussie Hardcore Rippers on Chasing the Perfect D-beat & the Canberra Scene
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Features
SLUG: Cleveland Hardcore Unit Teams Up with Dwid of Integrity on New Track
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Features
Terminal Nation: Arkansas HC Rages Against Xenophobia on “ICE Watch” (VIDEO PREMIERE)
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Reviews
Reducidos, Represión // Opresión (Self-Released, 2019)
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Features
Neuroot: Dutch Punk Veterans Celebrate New False Profit Album with US Tour Dates
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Features
Lost to Life: Dublin Hardcore Band Returns with Revamped Lineup on New EP
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Reviews
Pure Heel, Freedom from You (Irish Voodoo Records, 2023)
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Interviews
Mark McCoy (Charles Bronson, Youth Attack, Absolute Power, Das Oath, Suburbanite)
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Interviews
Staticlone: George Hirsch (Blacklisted, Harm Wulf) Talks About His New Band’s Latest EP
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Features
Burn: NYHC Greats Share Timely Message in “Ill Together” Music Video (PREMIERE)
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Features
City of Industry: Get First Taste of Seattle Hardcore Band’s New Album (PREMIERE)
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Features
Secret Fun Club Deliver Crushing Tones on “Orchestral Maneuvers in the Dark Throne” (PREMIERE)
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Features
Chesty Malone and the Slice ‘em Ups Drop a Classic Discharge Cover (VIDEO PREMIERE)
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Features
Crud Is a Cult Drummer Alec Rosenberg on the ‘90s Band’s Forthcoming Anthology LP (EXCLUSIVE)
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Features
Bad Blood: Terror, Exhibition & Violent Way Members Premiere New Band via “Apology Denied”