In Case You Missed It
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Features
New Artist Focus: Royal Hearts
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Features
This Is Hardcore 2019: Day 2 Photos
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Reviews
SUMAC, Love In Shadow (Thrill Jockey, 2018)
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Lists
Top 5 Double-Drummer Bands of All Time, by Set and Setting
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Lists
Best 5 Albums of 2014 from the Portland Heavy Music Scene, by Erik Olson (L...
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Reviews
Misþyrming, Algleymi (Norma Evangelium Diaboli, 2019)
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Interviews
Chain of Strength’s Ryan Hoffman on Launching His New Quiet Panic Record La...
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Features
Dauðyflin + D7Y: Two Icelandic Punk Bands You Need to Check Out
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Reviews
Integrity, Howling, For the Nightmare Shall Consume (Relapse Records, 2017)
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Record Collectors
Record Collector: Faisal Yahu D, aka badmongo_666
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Features
Silence Equals Death Reach the Tipping Point on “Peacemaker” (VIDEO PREMIER...
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Features
At the Matinée Director Discusses His Doc on the '80s CBGB Sunday Hardcore...
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Record Collectors
Record Collector: Jenn D’Eugenio, aka jennn_erator
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Interviews
Arthur Smilios (World Be Free, Gorilla Biscuits, CIV, Token Entry)
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Lists
Top 10 Japanese Anything, by Shelby Cinca (Tanimura Midnight)
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Features
Signo Rojo: Swedish Punkers Celebrate Decade Together w/ “End of Tether” (P...
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Photographer Spotlights
Photographer Spotlight: Chad Sengstock
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Photographer Spotlights
Photographer Spotlight: Michael Dubin
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Features
Louisiana Lot Lizards Get Their Revenge on “When It All Went Black” (PREMIE...
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Features
International Hardcore Bands You Need to Know About: Rites
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Reviews
The 1865, Don't Tread on We! (Mass Appeal Records, 2019)
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Features
This Dude Goes to Punk Fests to Take Pics of Cool Backpatches
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Interviews
Sean A. Garrison (Kinghorse)
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Features
Tuscon DIY Venue Gets Shut Down, Local Hardcore Scene Steps Up
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Features
New Artist Focus: Infiltrate
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Features
Track Premiere: Great Reversals, “Take This Life”
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Interviews
Jonah Jenkins (Only Living Witness, Raw Radar War, Miltown, Milligram)
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Features
Underdogs 3 Compilation Brings Together New Breed of Hardcore Bands for Gre...
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Lists
10 Philly Bands Not Being Included in the “Best Punk” Articles... But S...