In Case You Missed It
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Reviews
Bleached Cross, Bleached Cross (Protagonist Music, 2022)
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Record Collectors
Record Collector: Jonny Ruggiero, aka 7_inches_of_fury
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Features
Gritty’s Kids: New Philly Band Interview Series Kicks Off with Interloper Q&A
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Reviews
Gravesend, Methods of Human Disposal (20 Buck Spin, 2021)
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Features
Tear It Up: Guitarist Andy Scarpulla on the NJHC Band’s Early Days, New Reissue
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Features
Photographer Kate Frese: What do Hockey Legend Eric Lindros and Turnstile Have in Common?
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Features
RLND: San Francisco Progsters’ Music Video for “Public Chefs” is a Mind-Melter (PREMIERE)
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Features
DIY or Die: A Helpful Guide to Vinyl, Cassette + CD Pressing Plants for Underground Artists
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Features
Record Label Profile: Rotten to the Core Records
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Features
Justin Pearson (Swing Kids, The Locust, Some Girls, Dead Cross) on His New Book of Lyrics
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Features
Mold Dominion: Pig Destroyer Vocalist J.R. Hayes Discusses His New Record Label
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Interviews
The Fight: LIHC Group Discuss Their Forthcoming Debut for Triple B Records
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Interviews
Conviction: Guitarist Jim Winters Reminisces on His Days in the ‘90s Hardcore Band
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Features
Amora: Philly Post-Hardcore Quintet Perfects Their Sound on Cutting Teeth EP
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Features
Model Prisoner: New Project Feat. Nowhere Roads, Swarm of Arrows Members Drops Debut Track
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Features
No Echo Presents a Night of Hardcore in Orange County, California
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Features
Glassjaw 20+ Year Anniversary Shows Photos
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Interviews
This Is Hardcore Founder Joe McKay on Putting the 2019 Lineup Together (EXCLUSIVE)
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Interviews
Jonathan Anastas (DYS, Slapshot, Decadence) Looks Back on His Boston Hardcore Days
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Features
Nopes: Bay Area Noise-Punks Show Up with Riffs on “Smile Room” (PREMIERE)