In Case You Missed It
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Record Collectors
Record Collector: Shandelle Schirmer
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Features
Dead Heat: California Crossover HC Kings Return w/ “Last Rites” + “To the C...
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Reviews
Miracle Drug, How Much Is Enough (WAR Records, 2017)
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Features
Secret Fun Club Deliver Crushing Tones on “Orchestral Maneuvers in the Dark...
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Reviews
No Saving Grace, Hell to Pay (Self-Released, 2016)
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Record Collectors
Record Collector: Laura Kerkhofs, aka cinnamon_girl95
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Reviews
Crown Court, Capital Offence (Katorga Works, 2016)
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Features
Discrepancy: OC Hardcore Combo Get Introspective on “In Due Time…” (PREMIER...
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Reviews
The 1865, Don't Tread on We! (Mass Appeal Records, 2019)
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Features
The Dividing Line: East Coast sXe Hardcore Band on Signing w/ New Age Recor...
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Reviews
Sumac, What One Becomes (Thrill Jockey, 2016)
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Interviews
Marc Strömberg (Swan Sex, Håll Det Äkta, Visual Artist, Hardcore and Sod...
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Reviews
BustDown, TRANSILLUMINATI (Fake Crab Records, 2018)
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Lists
5 Newer Hardcore Bands from Missouri to Check Out, by Andrew Gibbs (True Se...
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Features
Heatseeker: Members of Malice at the Palace Get Their Crossover Thrash On
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Features
Losing End Singer Sam Rimaz is Helping Bring International HC Bands to Sout...
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Photographers
Photographer Spotlight: Chrisy Salinas
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Reviews
Backtrack, Bad to My World (Bridge Nine Records, 2017)
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Interviews
Cutting Steak: Matt Izzi (Homewrecker, Scorched)
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Reviews
Tuxedo, Tuxedo (Stones Throw Records, 2015)
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Interviews
Rob Yench (Morpheus Descends, Mausoleum, Typhus, Engorge, Incantation)
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Photographers
Photographer Spotlight: Nick Sayers
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Features
Kharma: Metallic Hardcore Combo Are Merciless on “Good Riddance” (VIDEO PRE...
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Features
Rule Them All: LIHC Band Channels Revolution Summer Vibes on Debut EP (PREM...
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Features
Out of Body, Iron Curtain, Forewarned + Rotworld @ Programme (PHOTOS)
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Lists
Best Bubblegum Songs of the ‘60s and ‘70s
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Interviews
Igor Cavalera on His Favorite Drummers, Early Sepultura Work
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Features
Maximum Rocknroll to End Its Print Run (1982-2019)
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Features
New Artist Focus: Watchdogs