In Case You Missed It
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Interviews
This Is Hardcore’s Joe McKay on the Fest’s Evolution, Business Challenges & 2025 Lineup
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Features
BillyBio Injects NYHC Energy to The Wailers’ Reggae Anthem “Get Up, Stand Up” (PREMIERE)
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Reviews
Frank Iero and the Future Violents, Barriers (UNFD, 2019)
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Features
Ritual Barbiturate: Post-Punk, Hardcore & Noise Rock Come Together on Band’s Debut Offering (PREMIERE)
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Features
Shades Apart Look Back on Each of Their Studio Albums (EXCLUSIVE)
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Features
Rabbit: Brooklyn Band’s “Hellmouth” Is a Menacing Dose of Hardcore You Need to Hear
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Features
The Lightheads: Portland Post-Punk Band Goes Anthemic + Melodic on New Tracks (PREMIERE)
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Interviews
Richard Brown (The Proletariat)
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Features
Cables & Arms: San Francisco Post-Hardcore Group Returns with “Burn” (VIDEO PREMIERE)
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Record Collectors
Record Collector: Nick Sciacca, aka @sixtwenty2
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Features
Warlock Guitar Cabinets’ Aaron Sjostedt on Hardcore, Skinhead Culture & Starting a Business
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Features
Scream & Soulside: DC Hardcore Icons Share the Stage in Los Angeles with Friends (PHOTOS)
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Features
Locked Inside: Straight Edge Unit Brings Classic Mosh Back on “Force of Will” (PREMIERE)
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Features
Guns Up!: Celebrating Outlive, One of 2000s Hardcore's Most Overlooked Gems
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Features
The Grasshopper Lies Heavy: Texas Trio Lets Chaos Loose on “Charging Bull” (PREMIERE)
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Features
PUSCH Singer Brandon Richie Gets Uncomfortably Honest on Their Intense New EP
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Reviews
Bombardement, EP (Symphony of Destruction, Kick Rock Records, Destructure, 2020)
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Features
The Path: Hardcore Band Warns Us Not to “Don’t Drink The Water” (VIDEO PREMIERE)
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Features
Crowfeeder: Sludge x Metal x Prog Coalesce on Boston Band's Dirt EP (PREMIERE)
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Features
Syracuse Hardcore New Years Day Matinee 2022: A Chat With Promoter Lukas Reed