In Case You Missed It
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Reviews
Seltzers, Don't Touch Me (RTF Records, 2021)
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Interviews
No Cure Singer Blaythe Steuer on Straight Edge, Southern Stereotypes & the Necessary Evil of Social Media
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Interviews
Corporate Rock Sucks: The Rise and Fall of SST Records Author Jim Ruland
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Features
Crown Vic: Metallic Hardcore Straight from West Virginia on “The Old” (PREMIERE)
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Features
Section H8 x Tim Armstrong: LA Hardcore Band Joins Forces w/ Rancid Founder on New Track
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Features
Crypta Guitarist Taina Bergamaschi on Their New LP, Why Frozen Soul Rules & More
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Features
Heiress: Seattle Outfit Brings Apocalyptic Post-Hardcore Sludge on “Quiet Tension” (PREMIERE)
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Features
Feel Visit: Atlanta Band Delivers Wide-Screen Post-Hardcore on Debut EP
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Features
Barricade Vocalist Gabi on Their No Spirit EP, Scene Posers, and South Florida Hardcore
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Features
Razorblade: Crossover Thrashers Proud of Their Newest EP, Pittsburgh Music Community
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Interviews
Lockslip Vocalist Sara G on the Anxiety & Catharsis Behind Their Forthcoming Debut Album
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Features
Exil: Dig Into Some New Swedish Hardcore Punk Through 2 Tracks (PREMIERE)
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Features
Datura: Pacific Northwest Post-Punk Band Is Ready to Unleash Their Debut Album
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Reviews
BustDown, TRANSILLUMINATI (Fake Crab Records, 2018)
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Reviews
Crown Court, Capital Offence (Katorga Works, 2016)
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Features
Track Premiere: Great Reversals, “Take This Life”
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Features
Jack and the Slammers: New Iowa Band Keep Their Hardcore Primitive on Debut Offering
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Features
Kind Eyes: Sacramento Metallic Hardcore Band Inks Label Deal, Releases “Cruel World” Video
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Features
Bent Blue: A Quick Look at the San Diego Hardcore Band’s Excellent New Album
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Features
Manson Family Band (ex-Visual Discrimination) Return with “Dead Robots” (PREMIERE)
