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In Case You Missed It
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Reviews
Harm's Way, Posthuman (Metal Blade Records, 2018)
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Features
Dead to Fall: Former Guitarist Matt Hartman Revisits the Raw Chaos of the 2001 Demo
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Features
Negative Frame: UKHC Band Drops Sick New EP, Gears Up for Busy End to Year
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Features
New Artist Focus: Vital Sense
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Lists
5 Unlikely Collaborations I Canโt Believe Iโve Done, by Justin Pearson (Planet B)
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Features
Neuf Volts: French Group Shows Love to ‘80s Hardcore Punk on Debut Release
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Features
City of Industry: Seattle Hardcore Trio Declare “My Throat Is An Open Grave” (PREMIERE)
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Reviews
New Breed Documentary 1989, Directed by John Woods (Wardance Productions, Nightfilms, 2016)
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Features
No Saving Grace: Swedes Keep Their Hardcore Metallic on Two New Tracks (PREMIERE)
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Features
Redacted: West Bay Hardcore Grind OGs Combine Forces
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Interviews
Drummer Eric “E.K.” Komst (Warzone, Sick of It All) Is Ready to Get Busy Again
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Record Collectors
Record Collector: Carolina Martinez, aka slayercarito
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Features
Vanguard: New Militant Vegan Hardcore Outfit Makes Debut with “To Suffer” (PREMIERE)
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Features
Crossed Keys: Philadelphia Melodic Hardcore Band Returns with “Victim Complex” (PREMIERE)
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Features
Pyrecult: French Band Walks Line Between Metallic Hardcore & Black Metal on New EP
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Features
Ghost Decibels: Chaka Malik’s Icy Electronic Soul
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Lists
Best Morrissey and Smiths Rockabilly Songs
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Features
Heiress: Seattle Outfit Brings Apocalyptic Post-Hardcore Sludge on “Quiet Tension” (PREMIERE)
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Features
Blow Your Brains Out: Meet the Tokyo Hardcore Band Behind One of the Best LPs This Year
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Features
Offhand: Nashville Hardcore Punk Unit Whips Up Mayhem on “Collateral Damage” (PREMIERE)
