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In Case You Missed It
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Reviews
High Card, Generation Y (Reconsider Records, 2016)
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Features
Start Today: Los Angeles Band Flies Youth Crew Hardcore Flag on Blistering Debut EP
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Features
Miracle Blood: Boston Noise Merchants Return With “Like a Round Hole Through a Square Peg”
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Features
Black Gaff Brings Forth Grimy Hardcore Sludge on New Release
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Reviews
Punitive Damage, This Is the Blackout (Atomic Action! Records, 2022)
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Features
Cauldron: UK Outfit Brings Chaotic Metalcore Again on “Futile” (PREMIERE)
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Features
When Actors Make Records: ‘80s Edition
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Features
Stud Count: New Philly Group Explores Abrasive Yet Catchy Sound on Debut Track (PREMIERE)
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Features
Death by Stereo Singer Efrem Schulz Shares His Thoughts on Each of Their Albums (EXCLUSIVE)
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Interviews
Seaweed Vocalist Aaron Stauffer Looks Back on Their History, Discography
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Reviews
True Love, Heaven's Too Good for Us (Bridge Nine Records, 2016)
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Features
Moral Panic: NYC Band Pays Tribute to OG Phoenix Punks on “Anti Anti Anti” Cover
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Photo Spotlight
Photographer Spotlight: Teppei Miki
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Features
One in tha Chamber: Texas Band Brings the Beatdown on “Contact Front” (PREMIERE)
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Reviews
Wenches x Choke City, Split EP (Tokyo Fist, Master Kontrol Audio, 2023)
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Reviews
Aswang, Say Grace (Kanak Attack Records, 2023)
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Features
Record Label Profile: Dropping Bombs
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Interviews
Tony Foresta (Iron Reagan, Municipal Waste, No Friends)
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Features
Through N Through: Chicago Band on How I.C.E. Has Tormented Their Latino American Neighborhood
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Photo Spotlight
Photographer Spotlight: Pablo Vigueras