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In Case You Missed It
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Interviews
From Cut Short to Falling Action: Azy Relph Shares His โ90s Redding Hardcore Scene Memories
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Reviews
Unsanitary Napkin, All Billionaires Are Bastards (Hardcore Victim/Sorry State Records, 2022)
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Interviews
Rule Them All Vocalist Jon Gusman on His Other Life as a Visual Artist
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Features
End It Go Celebrity Deathmatch Style via New Music Video, Announce Headline Tour
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Features
Check Out Photos from Decibel Metal & Beer Fest 2021
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Reviews
Genesis, Sum of the Parts (Eagle Rock Entertainment, 2014)
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Features
Light This City, Gygax + Pissed Regardless @ Viper Room, Hollywood, CA (PHOTOS)
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Features
Amenra/Primitive Man/Slow Crush: 3 Different Takes on Heavy Music Made for An Eclectic Night
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Features
Slept-On Records from Classic Labels: Thirty-Two Frames (Revelation Records)
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Features
Shadow of Doubt: Ex-Members of Bitter End + Hardside Crush Heads with New Track
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Photo Spotlight
Photographer Spotlight: Pedro Barrera
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Features
Punk in Eastern Kentucky (PHOTOS)
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Lists
6 Bands You Need to Check Out from the Inland Northwest Underground, by Ethan Kennedy (Cold Blooded)
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Features
Ass Life: “Weird Hardcore” Specialists Return with “Sildenafil Penis” Music Video
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Interviews
alovesopure: Hardcore Musician Tobby Davilmar Takes Electronic Music Path for Solo Project
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Features
Speedway: Listen to “Endless Stride” from New Swedish Hardcore Unit (PREMIERE)
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Features
The Good Depression: Hamilton, Ontario Band Blends Southern Grit & Metalcore on New EP
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Reviews
200 Stab Wounds, Slave to the Scalpel (Maggot Stomp, 2021)
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Features
Twin Pigs: Swedish Punk Outfit Is “Dead Sick of America” on New Track (PREMIERE)
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Interviews
SpiritWorld: Exploring the Cosmic Frontier with Frontman Stu Folsom