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In Case You Missed It
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Features
ACxDC: Los Angeles Grindcore Machine Returns with “Satan is King” (PREMIERE)
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Features
Stillsuit Vocalist Julian Vasquez on the Band’s Return, New Recordings + More
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Photo Spotlight
Photographer Spotlight: Pedro Barrera
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Features
Soul Glo: Philly Hardcore Punks Showcase the Dancers in “Thumbsucker” Music Video
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Features
First Ordeal: San Jose Band Finds Their Lane Between Hardcore and Metalcore
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Features
COOKED: VTHC Outfit Unleashes “When Will My Veins Return?” & Prepares for New Chapter
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Features
Suffer on Acid: Boston Power Trio Blend Pummeling Sludge with Hardcore on New Album
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Features
World Smasher Brings to Mind ‘90s Indie Rock Mixtapes via “Big Head” (PREMIERE)
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Interviews
OG Venom Drummer Abaddon on Their History, Connection to Punk & Much More
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Features
Orthodox Announce US Tour with Chamber (select dates w/ I Am, Purgatory, Joy + Piece of Mind)
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Features
Palme Skรถt Fรถrst: Swedish Punk Band Goes “Fast and Loose” on Debut EP
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Features
Summerhead: New Outfit Creates a Blissed-Out Sound on “Snoozer” (PREMIERE)
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Reviews
Skitsystem, Profithysteri 7โ reissue (Not Enough Records, 2026)ย
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Features
Strife Perform Entire ‘In This Defiance’ Album in California (PHOTOS)
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Lists
5 Lyrical Influences You Wouldn't Expect for Sounds of Loss, by Adam Easterling (Orthodox)
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Features
Divine Hatred Guitarist Marcus on UK Death Metal/Metalcore Bandโs Vicious Debut LPย
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Reviews
Guilt Parade, Guilted Palace of Sin (Alternatives Label, 2019)
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Reviews
Venomous Concept, The Good Ship Lollipop (Decibel Records, 2023)
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Features
Saetia: ‘90s Screamo Icons Reunite for Benefit Show Weekend (PHOTOS x RECAP)
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Interviews
Josh Grabelle (Trustkill Records, Bullet Tooth)