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In Case You Missed It
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Record Collectors
Record Collector: Robert Warner, aka robertthehipster9
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Features
Open Wounds: Vitamin X’s Marko Korac on Picking Up a Guitar in the Name of Hardcore
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Features
Exhibition: New Band Further Proves Buffalo’s Hardcore Scene Is Alive and Well
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Interviews
Eyelid: Revisiting the Past with the Southern Californian ‘90s Hardcore Band
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Interviews
Pandemic Profile: James Carroll (Time and Pressure)
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Features
Blackest Dawn: Ex-Shattered Realm, Years Spent Cold Members Take Us to a “Twisted Place”
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Features
POISE: Pacific Northwest Hardcore Band's Iron Foot EP Is a Kick to the Throat
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Features
Baroness + Deafheaven @ Starland Ballroom, Sayreville, NJ (PHOTOS)
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Features
Delinquency: Belgian Hardcore Band Lives for the Mosh on Subconscious Resistance EP
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Reviews
Guilt Parade, Guilted Palace of Sin (Alternatives Label, 2019)
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Reviews
Tony Molina, Kill the Lights (Slumberland Records, 2018)
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Features
Worst Ways: NorCal Hardcore Band Takes Speedy Route on Their New Age Records Debut LP
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Features
False Body: Alberta Band Deliver “Ass-Beater Parts & Braindead Dummy Riffs” on New LP
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Features
Redbait: The Latest Addition to the New Age Records Family
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Reviews
Ursula, I Don't Like Anything (Indecision Records, 2025)
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Features
Had To: Reno Band Makes Shoegazey Debut on New EP
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Features
Vanguard: XVX Metallic Hardcore Reigns Supreme on “Detach” (PREMIERE)
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Features
Saviour Complex: California Band’s “Pride” Is a Raw Yet Melodic Burst of Post-Hardcore
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Interviews
One X Choice: Vocalist Victor Galindo on the SoCal Straight Edge Band’s 10th Anniversary
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Features
Action for Afghanistan: Eighteen Visions & Despair Among Bands on New Compilation