In Case You Missed It
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Lists
Top 5 Maynard James Keenan Tracks, by Cliff Hodson (Supermassive)
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Features
“Female-Fronted” Is Not a Fucking Genre
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Record Collectors
Record Collector: Mario of 30SecsofVINYL
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Features
Endless Bore: Australian Hardcore Band Keeps Things Speedy on New LP
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Features
Photographer Jason Jamal Nakleh: The Stories Behind Some of His Favorite Ph...
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Record Collectors
Record Collector: Ira Pitskel, aka taxidermy_0
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Features
Former Apartment 213 Vocalist Steven Meketa on How a Hybrid of Skateboardin...
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Interviews
Inti Carboni: Meet the Italian Hardcore Head Who Became a Successful Filmma...
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Reviews
Sumac, What One Becomes (Thrill Jockey, 2016)
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Reviews
Never Ending Game, Welcome to the... (Self-Released, 2018)
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Features
Same Son: Inland Empire Hardcore Band Kicks Year Off with Manifest EP
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Reviews
Misþyrming, Algleymi (Norma Evangelium Diaboli, 2019)
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Features
NonCon: LA Combo Take on Big Pharma on “Lab Rat” (PREMIERE)
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Features
Photographer Spotlight: Rob Coons
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Reviews
The Beeves, Adam & Beeve (Self-Released, 2019)
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Interviews
Brandon Gallagher (Coarse, Ex-Old Wounds) on Working as a Musician, Designe...
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Features
New Artist Focus: Prospect
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Features
Back to School Jam 2018: Power Trip, Indecision, Fiddlehead + More (PHOTOS)
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Interviews
Sick of It All’s Lou & Pete Koller Check In from the Quarantine + An Update...
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Features
Dave Witte Discusses Upcoming Shape of Sound Drum Circle Event
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Interviews
Rob Yench (Morpheus Descends, Mausoleum, Typhus, Engorge, Incantation)
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Features
Dr. Know Bassist Ismael Hernandez on Nardcore History, Crossover + More
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Record Collectors
Record Collector: Brandon Leja, aka xslowdeathx
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Features
Record Label Profile: Rotten to the Core Records
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Features
Oi! Music: Dig the New Breed
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Photographer Spotlights
Photographer Spotlight: Mike Moynihan
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Reviews
Tomb Mold, Manor of Infinite Forms (20 Buck Spin, 2018)
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Features
Graven Cover a Human Remains Classic on Their ‘Heirs of Discord’ EP (PREMIE...
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Features
WORK HARD, PLAY HARDcore: Chris Lane