In Case You Missed It
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Features
Crunchface: New Book Celebrates '90s Ohio Hardcore Zine In All Its Attitude-Filled Glory
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Lists
Best Hardcore Records of 2020: No Echo Contributor Picks
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Lists
Richard Johnson (Enemy Soil, Agoraphobic Nosebleed) Lists Drugs of Faith’s New LP Musical Influences
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Features
Enact: New Portland sXe HC Band Makes Presence Felt via “Hear My Voice” (PREMIERE)
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Features
Critical: New Argentine Hardcore Outfit Comes Out of the Gate With Two Demos
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Features
Ripped Away: Wilkes-Barre Hardcore Is Alive & Well on “Lamentation” (PREMIERE)
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Features
Record Label Profile: Eighty-Sixed Records
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Interviews
Clay Rice and Sacrilege: D-beat in 1984 NYHC
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Reviews
Vein, errorzone (Closed Casket Activities, 2018)
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Features
Jon Charles Dwyer: Punk Musician Makes a Superb Americana Album with ‘Junebug’
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Features
Bad Religion: Author Jim Ruland on His Forthcoming Book with the Seminal Punk Band
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Interviews
Government Issue Guitarist Tom Lyle on Early DC Hardcore, Their Discography + More
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Features
Suntouch House: Fans of Kiss It Goodbye & Bloodlet Need to Check Their New EP Out Now
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Reviews
Lesser Minds, Futile (Protagonist Music, 2022)
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Features
LOTUS: Forever Martial Is a Furious Return for Belgian Hardcore Band
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Interviews
Josh Grabelle (Trustkill Records, Bullet Tooth)
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Record Collectors
Record Collector: Mark Deutrom (Bellringer, Melvins, Clown Alley, Alchemy Records)
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Features
OWN: New Salt Lake City Band Walks Down a ‘90s Hardcore Path
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Features
Barrio Slam Vocalist Victor Campos Is Putting in Important Work for His Community
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Features
Glassjaw 20+ Year Anniversary Shows Photos