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In Case You Missed It
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Interviews
Integrity Singer Dwid Hellion on Boyd Rice, Dadaism + Much More
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Features
How Hardcore Music Made Me a Better Father
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Reviews
Predatory Void, Seven Keys to the Discomfort of Being (Century Media Records, 2023)
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Features
Ape Unit: Italian Grindcore Weirdos Return With New EP
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Reviews
Crypta, Shades of Sorrow (Napalm Records, 2023)
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Features
Juggernaut: Buffalo Metallic Hardcore Unit Returns via Cover of 108’s “Deathbed”
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Features
On Suffering Remembered: Rorschachβs Needlepack 25th Anniversary
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Features
Colour Design: Shoegaze & Post-Hardcore Share Space on Little Rock Band’s New Record
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Interviews
Gear Nerd: Mike Pellegrino (Enrage)
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Interviews
No Cure Singer Blaythe Steuer on Straight Edge, Southern Stereotypes & the Necessary Evil of Social Media
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Features
Trondheim Hardcore: Against the Grain and the Rise of a New Scene in Norway
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Features
Pandemix: East Coast Hardcore Punk Band Unleashes “A Pox” (PREMIERE)
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Lists
Richard Johnson (Enemy Soil, Agoraphobic Nosebleed) Lists Drugs of Faith’s New LP Musical Influences
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Features
Cauldron: UKHC Band on Opening Their Influences Up on Excellent Suicide in the City LP
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Features
Spark of Life Signs with New Age Records, Drop New Track feat. Fred Armisen on Drums
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Features
Be Well: Baltimore Band Returns with Two Tracks of High-Quality Melodic Hardcore
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Features
Cannibal Corpse + Morbid Angel @ Fonda Theatre, Los Angeles (PHOTOS)
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Features
Musician Dasha K. (Big Boss, Chronic Abuse) on Discovering Hardcore in Russia + More
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Lists
5 Drummers That Influenced My Playing Style, by Ethan Raese (Steel Nation)
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Reviews
End It, Unpleasant Living (Flatspot Records, 2022)
