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In Case You Missed It
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Features
xBarrymorex: Houston Band Is Bringing Straight Edge Easycore on Debut Release
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Features
Xain: Azerbaijan Musicians Weave Unique & Chaotic Mathcore on Debut EP
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Features
Spell Runner: Albany Band Merges Hardcore, Goth + Rockabilly on “The Phantoms”
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Features
Haest: UK Band Mixes Hardcore, Noise Rock & Grunge with Catchy Results
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Features
Corrupt Vision x Se Vende: Skacore & Melodic Punk Come Together on New EP (PREMIERE)
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Features
Back to Life: Pennsylvania Hardcore Band is Firing on All Cylinders
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Reviews
Sarcoughagus, Delusions of the Sick (Maggot Stomp, 2021)
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Record Collectors
Record Collector: Lins Cuscani, aka ll_cool_lins
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Features
Coronary: Chicago Crossover HC Band Unleashes Riff Storm on “Plenty Was Never Enough”
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Reviews
Morbid Angel, Kingdoms Disdained (Silver Lining Music, 2017)
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Features
Loosey: NYC Band’s “We See We” Is a Catchy Shot of Glam-Kissed Street Rock
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Features
NEKS: Daytrader, Crime In Stereo Members Introduce New Band via Double Single
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Lists
5 Killer Cover Songs: Ramones
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Reviews
Carnation, Cursed Mortality (Season of Mist, 2023)
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Features
World of Pleasure: Meet One of the Sickest Hardcore Bands to Come Out This Year
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Features
The Funeral: Early ‘00s Syracuse Hardcore Band (Finally) Gets Proper Reissue Treatment
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Features
Young Eyes: Cincinnati Band Takes You on Slow-Burning Sonic Trip via “Luna De Bestia”
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Interviews
Damaged City Co-Founder Chris Moore on the Fest’s History and This Year’s Installment
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Features
Clavo: Panamanian Hardcore Band Fueling a Regional Resurgence
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Features
Freewill: Melodic Hardcore Band Returns with “Ballad of Mark David Cox” (PREMIERE)
