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In Case You Missed It
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Features
A Discussion About Discharge’s Los Angeles Shows in the 1980s
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Reviews
Genesis, Sum of the Parts (Eagle Rock Entertainment, 2014)
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Features
No Face Studios: Get the Story Behind the West Philly DIY Art & Music Space
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Record Collectors
Record Collector: Josh Torpen, aka jtorpen
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Features
Repellent: Minneapolis Musician’s New Solo Project Is Fast Hardcore Gold
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Features
Beast from the East: New York Band Specializes in “Negative IQ Riffs”
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Features
RKL Joins Forces with Municipal Waste Singer Tony Foresta on Ripping Version of “Sargasm”
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Features
Mediaslaves: Melodic Punk Trio’s “%” Comments on Growing Gap Between Social Classes
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Features
La Haine: Berlin Band Bounce Between Punk, ‘90s Indie & Post-Hardcore on New EP
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Reviews
Queensway, The Real Fear (Self-Released, 2019)
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Features
Darkest Hour, Damnation A.D., Cemetery Piss @ Baltimore Soundstage (PHOTOS)
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Features
New Artist Focus: Colonial Wound
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Features
Homesick: Sydney Band Leans Into the Gloomier Side of Hardcore on Return Track
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Features
Discourage: Oakland Band Talk New LP, Label + Drop Song feat. Meghan OโNeil (Punch, Super Unison)
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Interviews
Art Spotlight: Alexandre Goulet (Despised Icon, Cold Cave, All Out War, Fallujah)
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Features
American Television: DC Punks Have a “Nervous Breakdown” via Black Flag Cover (PREMIERE)
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Features
Project Sell Out: Southern California Skate Punks Make Big Step on Soul Doubt LP
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Features
Braidedveins Offer Up a Swinging Post-Hardcore Jam with “Everything Dies”
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Features
Planet on a Chain Announce Culture of Death Album, Unleash New Track
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Features
In Cold Blood: Clevo Metallic HC Group Sets Dark Tone on “This Has to End” (PREMIERE)