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In Case You Missed It
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Features
Syracuse Hardcore New Years Day Matinee 2022: A Chat With Promoter Lukas Reed
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Features
Sinking In: Connecticut Band Carries the Spirit of Early 2000s Hardcore Forward
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Photo Spotlight
Photographer Spotlight: David Franklin
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Features
Headcount: Ex-Drug Control, Meth Breath Members Unleash Demo
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Interviews
Sunami: Vocalist Josef Alfonso on His Love for Bay Area Hardcore + More
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Interviews
Mike Olender (Endeavor, Burnt by the Sun, River Black, try.fail.try)
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Features
Climb: ‘90s Alt-Influenced Massachusetts Hardcore Band Talks Debut EP
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Features
Debt to Society: Canadian Band Worships ‘90s Tough-Guy Hardcore on New Release
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Features
Dark Satellite Media: Jimmy Ferrari on How He Started His New Podcast Network
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Features
Prize: New York Band Blends Noise Rock Swagger with Hardcore Power on New EP
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Features
Jon Charles Dwyer: Punk Musician Makes a Superb Americana Album with ‘Junebug’
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Features
Night Witch’s “Corrupted” Is a Message to Men About Their Predatory Behavior (PREMIERE)
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Features
Warlock Guitar Cabinets’ Aaron Sjostedt on Hardcore, Skinhead Culture & Starting a Business
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Interviews
Rob Moran (Unbroken, Narrows, Some Girls, Over My Dead Body)
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Features
Ulamog: Virginia Band’s Debut Album Brings to Mind Late ‘80s Crossover Thrash Metal
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Features
Direct Measure: St. Louis Hardcore Band Returns with “Realm of Grief” (PREMIERE)
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Features
Belligerence: Singer Gabriel Walker Digs Deep on Austin Metalcore Group’s Debut EP
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Reviews
Birds In Row, We Already Lost the World (Deathwish Inc, 2018)
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Reviews
Cutting Through, A Will to Change (New Age Records, 2017)
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Reviews
False Fed, Let Them Eat Fake (Neurot Recordings, 2023)