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In Case You Missed It
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Features
Friction: Toronto Hardcore Band Closed Out 2022 with Two New Heaters
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Features
Vinyl Addiction Records Is a Heavy Metal Utopia for Record Collectors
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Features
End of One: Poughkeepsie Group Powerfully Merges Death Metal & Hardcore on Return EP
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Features
Del Judas: Former Tombs Drummer Charlie Schmid Goes Solo on Goth-Inflected Debut
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Features
Wall Breaker (ex-Coke Bust, Amputee, Sick Fix) Fire Back with “AmeriKKKA” (PREMIERE)
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Features
Big Water: Kansas City Trio Dish Up ‘90s-Styled Angular Hardcore on New Track (PREMIERE)
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Interviews
Michael Gibbons (Leeway)
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Lists
1993: The Year of Death Metal Albums With Killer Groove Parts
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Features
Cannibal Corpse x Whitechapel x Revocation x Shadow of Intent @ UC Theater (PHOTOS)
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Features
Rejoice: Ohio Band’s “Monstrous Dove” is a Nasty Slice of Metallic Hardcore (PREMIERE)
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Reviews
ÂGE ⱡ TOTAL, ÂGE ⱡ TOTAL (Soza, 2021)
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Features
Fright: Philly/NJ Band on Unscripted in Chaos, Political Rage & Staying Urgent in Hardcore
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Features
Disarm: Connecticut Band Channels ’90s Alt and Emo on Silver City Songs
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Reviews
Hazing Over, Pestilence (Self-Released, 2021)
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Record Collectors
Record Collector: Wes Boudman, aka xwes13x
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Features
Period Bomb: Menstrual Misogycide and Punk’s Uncomfortable Conversations
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Interviews
Curran Reynolds (Body Stuff, Wetnurse, Today is the Day, Music Publicist)
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Lists
bigLOVE: Sammy Urwin (Employed to Serve) Lists His New Project’s Prime Influences
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Reviews
200 Stab Wounds, Slave to the Scalpel (Maggot Stomp, 2021)
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Interviews
Patrick Kitzel (True Blue, Reaper Records)