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In Case You Missed It
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Features
No Apologies: Aussie Hardcore Band Announces Long-Awaited Album, Releases New Track
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Photo Spotlight
Photographer Spotlight: Karyssa Leigh
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Reviews
Swordwielder, Wielding Metal Massacre (Not Enough Records, Profane Existence, 2023)
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Reviews
Genesis, Sum of the Parts (Eagle Rock Entertainment, 2014)
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Features
Meet What It Takes HC Blog Founder Jack Cooper
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Interviews
Mike Alvord (Holy Terror, Mindwars)
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Reviews
Morbikon, Ov Mournful Twilight (Tankcrimes, 2022)
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Lists
3 Cheers for Sweet Releases: Bryan Prosser (Inclination, Wristmeetrazor) Discusses His Favorite Records
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Reviews
Remission, Enemy of Silence (REACT! Records, 2018)
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Features
Milwaukee Metal Fest Summary Part 4 of 4: The End Complete
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Features
Hail Mary: Aussie Band Keeps Repping for “King Hit City Death Metal” After Tragic Passing of Their Singer
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Interviews
Buñuel: A Video Chat with Collaborators Eugene S. Robinson (Oxbow) & Xabier Iriondo (Afterhours)
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Interviews
Bassist Spotlight: Mattie Safer (Safer, Poolside, The Rapture)
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Features
Chorus of Demons: Hard Death Metal Unit Unleashes “Dominion of Pure Suffering” (VIDEO PREMIERE)
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Features
Final Declaration: Buffalo’s Strong Hardcore Tradition Burns Brightly Through New Group
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Features
Think Twice: Dallas–Fort Worth Hardcore Scene Births a New Straight Edge Outfit
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Interviews
Palehorse Singer Vinny Calandra on the Connecticut Hardcore Band’s History & Future
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Features
Circles: French Melodic HC Outfit Reacts to Social Unrest in “Resonate” (VIDEO PREMIERE)
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Features
The Atlas Moth, Of Feather and Bone, Mustard Gas and Roses @ Resident, Los Angeles (PHOTOS)
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Features
father//figure: Canadian Hardcore Musicians Take Melodic Route on New Project