In Case You Missed It
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Reviews
Hazing Over, Pestilence (Self-Released, 2021)
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Reviews
Birds In Row, We Already Lost the World (Deathwish Inc, 2018)
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Features
Take Your Guilt: German Metallic Hardcore Crew Celebrate Decade Together with New Album
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Interviews
Hardware Fanzine: Get a Sneak Peek at the New Anthology, Meet Co-Founder Brett Beach
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Interviews
Vinyl Conflict Owner Bobby Egger on Collecting Records, Hunting for Titles in Japan
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Reviews
Ruckus, Ruckus 12" (Under the Gun Records / Drunken Sailor Records)
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Features
Sheer Terror: NYHC Legends Remain Ugly & Proud on “Squat Diddler” (PREMIERE)
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Features
Iodine: Toronto Band Reps for Thriving Canadian Hardcore Scene via New EP
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Reviews
SPEED, Gang Called Speed (Flatspot Records/Last Ride Records, 2022)
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Features
SPARES: Portland Post-Punk Outfit Gear Up for Debut EP, Drop “Grease Stains” Music Video
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Features
Closedown: Cleveland Post-Hardcore Group Drops Debut EP
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Features
Extinction A.D.‘s Rick Jimenez Discusses Their New Covers EP + His Two Wrestling Podcasts
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Reviews
Blind Justice, No Matter the Cost (Flatspot Records/Edgewood Records, 2018)
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Features
Direct Measure: Watch the Music Video for St. Louis Hardcore Band’s Blistering Cut “GCHC”
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Interviews
Fortress Records: South Florida Hardcore Label Should Be on Your Radar
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Interviews
Gary Meskil (Crumbsuckers, Pro-Pain)
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Features
From France to Los Angeles: Meet Overexposure Drummer William Thomas Brunet
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Features
Reflex: Hardcore Scene Staples Unite in New Band, Release No-Nonsense Demo
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Interviews
Comedy x Hardcore: A Conversation with Gene Meyer (stand-up comedian, Bandit vocalist)
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Interviews
Pandemic Profile: James Carroll (Time and Pressure)