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In Case You Missed It
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Interviews
Billy Graziadei (Biohazard, Powerflo) on Going Solo for His New Album
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Features
Brotherly Love Are Making San Antonio Hardcore for the Youth, by the Youth
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Interviews
Bad Trip bassist Brendan White Looks Back on the NYHC Band’s Time Together
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Features
Horror Show, Jesus Piece, Raw Force @ Ortlieb’s, Philly (PHOTOS)
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Features
The Good Depression: Hamilton, Ontario Band Blends Southern Grit & Metalcore on New EP
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Reviews
Tragedy, Fury (Self-Released, 2018)
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Features
Harker: UK Melodic Post-Hardcore Unit Returns With “The Beast Must Die” (VIDEO PREMIERE)
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Features
Prison Planet: North Carolina & Virginia Hardcore Musicians Join Forces in New Project
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Features
Fire Is Murder (Ex-Agnostic Front, Rainmen) Vocalist Christopher Nolen Talks Debut EP
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Features
Obscure Metal Bands: Ulysses Siren (California, 1983–Present)
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Features
Cornerstone: ‘90s Connecticut Hardcore Band Enters Time Machine to Discuss Their History
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Features
MOVINGDIGGINGTEETH: Ex-Dragbody, Railsplitter Members Form Ferocious New Band
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Interviews
Dennis Berendts (Brave the Sea, Nukkehammer, Three Studies for a Crucifixion, Vile Gash)
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Features
Model Prisoner: New Project Feat. Nowhere Roads, Swarm of Arrows Members Drops Debut Track
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Features
King Parrot x Filth Is Eternal x Spirit in the Room in Los Angeles (LIVE REVIEW x PICS)
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Features
Bad Onez: Jon Stephenson (Slowbleed) Gives Us the Lowdown on His New Band
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Features
Miles of Fire: Ex-Drowningman Members Go Melodic Post-Hardcore Path on Debut Track
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Features
Project Sell Out: California Skate Punk Band Ink New Label Deal
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Interviews
Arthur Smilios (World Be Free, Gorilla Biscuits, CIV, Token Entry)
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Reviews
200 Stab Wounds, Slave to the Scalpel (Maggot Stomp, 2021)