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In Case You Missed It
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Interviews
Matt Plezier (Coalition Records, Visual Artist)
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Features
Maranatha: Ohio Sludge Band Awakens from 6-Year Slumber with Crushing New EP
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Features
New Artist Focus: Moral Theory
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Features
Bronze: Serbian Hardcore Comes Raging on ‘Torches’ (PREMIERE)
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Reviews
Satisfied, Chasing Progress (Self-Released, 2021)
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Features
Suntouch House: Fans of Kiss It Goodbye & Bloodlet Need to Check Their New EP Out Now
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Features
Curl Up and Die, Taken, Seizures, Regional Justice Center @ Chain Reaction, Anaheim (PHOTOS)
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Record Collectors
Record Collector, Sean McKinnish, aka flesh_tantrum
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Reviews
Gatecreeper, Deserted (Relapse Records, 2019)
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Interviews
Bassist Spotlight: Chad Peterson (Strife)
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Features
Choke: Oakland Grindcore Band Is for the Animals
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Reviews
Redwoods, Redwoods (Self-Released, 2020)
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Features
Era Bleak: Portland Punk Weirdos Are Done with Humans on “Robot” (PREMIERE)
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Features
Raw Breed: One of the Reasons Why Denver’s Hardcore Scene Is Heating Up
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Features
EU1OGY: Baltimore Musician Injects Hardcore Energy Into His Genre-Pushing Style
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Interviews
Rob Echeverria (Straight Ahead, Rest in Pieces, Biohazard, Helmet)
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Features
Forced Under: East Coast Hardcore Band Brings the Beatdown on Latest EP
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Features
MIDWESTLUST: Illinois Harsh Noise/Power Violence Outfit Is a Testament to the DIY Ethos
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Interviews
Doug Carrion (Dag Nasty, Descendents) on Revisiting His Past with Field Day + More
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Features
Friction: Toronto Hardcore Band Closed Out 2022 with Two New Heaters