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In Case You Missed It
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Reviews
Gloo, How Not to Be Happy (Hassle Records, 2021)
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Features
Excarnate: Aussies Bring H8000 Vibes on “Honour Amongst Thieves” (VIDEO PREMIERE)
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Features
Kaiju Daisenso: Power Violence and Monster Movies Clash in “Green Gargantua” Music Video
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Features
High Cost: Listen to Newly Expanded LP from Vicious NYHC Group (PREMIERE)
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Lists
Light Thieves’ Top 10 Road Tour Albums to Shut Your Mouth To
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Features
Caught One: Wisconsin Band Deals Out Metallic Hardcore via “Potential” (PREMIERE)
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Features
M.U.T.T. Features Ex-Members of Culture Abuse & Their “High With You” Is a Punk Gem (PREMIERE)
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Features
Crouch Drummer Wim Coppers (Wiegedood, Oathbreaker, Rise and Fall) Talks New Band & LP
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Lists
5 Massachusetts Hardcore Bands to Check Out, by Matt McCarthy (Pummel)
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Features
End of One: Poughkeepsie Group Powerfully Merges Death Metal & Hardcore on Return EP
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Features
Slowtrip: Mems of Rotting Out, No Bragging Rights Get Their Grunge-gaze On with "Makeshift Happiness" (PREMIERE)
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Features
City of Industry: Seattle Hardcore Trio Declare “My Throat Is An Open Grave” (PREMIERE)
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Photo Spotlight
Photographer Spotlight: Mark Valentino
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Interviews
Circle Jerks Bassist Zander Schloss on Repo Man, Working with Joe Strummer + Much More
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Lists
5 “Burning” Songs That Inspired Us, by BURN the Man
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Reviews
Predatory Void, Seven Keys to the Discomfort of Being (Century Media Records, 2023)
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Reviews
Xalpen, Xo´on (Black Lodge Records, 2021)
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Features
Try Hard: UK Emo/Pop-Punk Band Picks Up Where They Left Off a Decade Ago
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Lists
Hong Kong Hardcore: 5 Bands That Deserve Your Attention
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Features
Dawn of Agony: Michigan Death Metal Band Is One with Torment on Debut EP