In Case You Missed It
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Interviews
Pandemic Profile: Keith Murray (Deathwish Inc.)
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Features
Hardcore 4 Palestine: Australian Scene Comes Together to Raise Relief Funds
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Reviews
Vio-lence, Let the World Burn (Metal Blade Records, 2022)
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Features
Academy Order: Philadelphia Death Rock Crew Offer Taste of Debut LP via “Remember the Night”
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Reviews
Matinee: All Ages on the Bowery, by Drew Carolan
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Features
Bystander Return with “Where Did We Go Wrong” from Forthcoming Record (PREMIERE)
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Reviews
Reducidos, Represión // Opresión (Self-Released, 2019)
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Features
Disarm: Connecticut Band Channels ’90s Alt and Emo on Silver City Songs
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Features
Formula: New Texas Band Channels ‘90s Melodic Hardcore Vibes on Debut Release
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Features
Pleazure and Pain: Meet One of Indonesia’s Hardest Metallic Hardcore Bands
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Features
Uniform Burning: Indonesian Band’s Demo Carries Late ‘80s Hardcore Flavor
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Features
Black Gaff: Patrick Forrest (Backslider, Eye Flys) Drops Filthy Power Violence on “Pipe Stab”
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Features
Mouth for War: Ex-Members of Bruise Form New Band, Unleash “God, Help Us All” (PREMIERE)
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Features
LUGOSi: French Post-Hardcore Band Turn Grief and Vulnerability Into Catharsis on The Scars
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Features
Green Church Records: New Label Further Reminds Us Ohio Hardcore Is Killing It Right Now
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Interviews
Eugene S. Robinson (Whipping Boy, Oxbow, Buñuel, Black Face, Author, Podcast Host)
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Interviews
Vendetta Drummer Matt Anderson on the Oxnard Hardcore Band’s Return Album
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Features
Super Dark Collective Keeps the Underground Alive in Upstate New York in the Age of COVID
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Features
Anxious Hands: Maine Post-Hardcore Outfit Premiere Dissociate EP
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Features
185 Miles South Podcast Host Zack Nelson Bleeds Southern California Hardcore