In Case You Missed It
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Features
Geeby ME 62: Downtown NYC Legend
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Lists
5 Underrated ‘80s Crossover Thrash Records, by Mikey “J.C.” Lawless (Ü...
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Interviews
The Fight: LIHC Group Discuss Their Forthcoming Debut for Triple B Records
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Reviews
SUMAC, Love In Shadow (Thrill Jockey, 2018)
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Features
Dig the Well: New Hardcore Showcase Aims to Shine Spotight on Midwest Scene
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Features
Racetraitor Take Viewers on a Spiritual Quest in “Sarcophagus” Music Video...
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Features
Track Premiere: Ache, “Fade Away”
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Features
The Black Queen, Uniform + Kanga @ Union Stage, DC (PHOTOS)
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Features
Record Label Profile: Refuse Records
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Lists
6 Swedish Underrated ‘90s Hardcore Bands
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Features
No Other Way: RVA Straight Edge Unit Dig Into Serious Subject Matter on Deb...
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Features
YOB, Acid King + CHRCH @ Teragram Ballroom, Los Angeles (PHOTOS)
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Features
Vaaska: Texas Band Has Been Delivering Scandinavian-Styled Hardcore for Ove...
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Features
Crown and Anchor: The Story Behind the New Film Scored by Hardcore & Punk (...
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Features
Northern Hit Squad (Ex-Vietnom, Skarhead) Tell Ugly Truth on "Days of Darkn...
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Features
New Artist Focus: School Drugs
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Features
Innumerable Forms + Kommand @ Zebulon, Los Angeles (PHOTOS)
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Lists
12 Recent Hardcore Punk Records You Need to Check Out
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Reviews
Street Weapon, Quick to Die (NFTW Records, 2020)
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Features
FALL: Louisville Group Brings Chaotic Metallic Hardcore on “Pride Cometh…”...
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Interviews
Jorge Rosado (Merauder, Akani)
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Record Collectors
Record Collector: Mario of 30SecsofVINYL
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Features
Nothing + Culture Abuse @ 7th St. Entry, Minneapolis
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Features
Mantlet: British Band Loves Metallic Hardcore, Mosh Parts + At the Gates
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Reviews
Sanction, The Infringement of God’s Plan (Reconsider Records, 2017)
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Interviews
Bassist Spotlight: Eric Odness (Ageist, Primitive Weapons, The Wanted)
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Features
Wrong the Oppressor: Resurrected Buffalo Hardcore Outfit Returns with New E...
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Features
Leeway Sign New Label Deal, Announce First Release
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Lists
A Few of Our Unlikely Musical Influences, by Lace