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In Case You Missed It
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Features
Endera: Savannah Band Channels Personal Struggles Into Ferocious Debut EP
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Features
Edge Day 2018: Full Lineup Revealed
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Reviews
Age of Apocalypse, Grim Wisdom (Closed Casket Activities, 2022)
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Features
High Vis Announces North American Tour Dates
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Features
The Writhers: A Chat with the Halloween-Obsessed San Diego Band
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Lists
5 Bands from Buffalo to Watch Out For, by MikeUnion Jeffers (Juggernaut, Longest War)
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Features
Pass Away: I Am The Avalanche, Crime In Stereo Members Bring Melancholic Punk on “Moss Bar” (PREMIERE)
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Reviews
Umbra Vitae, Shadow of Life (Deathwish Inc, 2020)
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Record Collectors
Record Collector: Tom Lyle (Government Issue)
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Reviews
Backtrack, Bad to My World (Bridge Nine Records, 2017)
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Features
Dead to Fall: Former Guitarist Matt Hartman Revisits the Raw Chaos of the 2001 Demo
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Interviews
Dustin Perry (Snapcase, Threadbare, Libido Boyz, Precious)
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Features
Method: Des Moines Band Mines Influence from ‘00s Hardcore on Their Debut Album
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Features
COOKED: Vermont Band Drops No-Nonsense Hardcore on “Talk Is Cheap” (PREMIERE)
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Interviews
Bassist Spotlight: userelaine (Wristmeetrazor)
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Features
Comedian Bailey Pope Talks Norma Jean, Power Violence, and Stand-Up
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Reviews
Paternity Test, Incubation Period demo (2022)
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Features
Demersal: Danish Outfit Effortlessly Melds Screamo & Hardcore on Debut Album
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Features
Gleue: Toronto Band Brings Shoegaze-Driven Guitars on Debut Release (PREMIERE)
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Reviews
Leonard Cohen, Live in Dublin (Legacy Recordings, 2014)
