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In Case You Missed It
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Features
Jävelin: Venom Meets D-Beat on Finnish Band's Debut Album
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Interviews
Bassist Spotlight: Olivia Johnson (Gadget, Greynier)
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Reviews
Regional Justice Center, Crime and Punishment (Closed Casket Activities , 2021)
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Lists
3 Cheers for Sweet Releases: Matt Arrebollo (Gatecreeper) Discusses His Favorite Records
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Features
‘80s TV Theme Songs: The Stories Behind the Music
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Features
Samuel S.C.: ‘90s Emo/Post-Hardcore Band Returns with First Single from Upcoming LP
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Reviews
Great Falls, Objects Without Pain (Neurot Recordings, 2023)
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Features
Tomar Control: Peruvian Outfit Drops No-Nonsense Hardcore on “Migrar” (PREMIERE)
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Features
Chain Whip: Canadian Punks Blend Hooks and Attitude on Debut 7” (PREMIERE)
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Features
Mad Mulligans: Members of The Krays, American Eagle Bring Classic Oi! Sound on Debut EP
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Features
Sanctuary: French Group Strikes Up Choice Metallic Hardcore on Debut Tracks
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Features
Madball x Death Before Dishonor x Section H8 @ 1720, Los Angeles (PHOTOS)
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Features
Is Infinite Granite Deafheaven's Kid A Moment?
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Reviews
Uncurbed, ...Keeps the Banner High (Not Enough, 2022 reissue)
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Features
Municipal Waste, Toxic Holocaust + Haunt @ Canton Hall, Dallas (PHOTOS)
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Features
Wake of Humanity: Seattle XVX Band Deliver a Warning on “Bled Dry” (PREMIERE)
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Features
MISERE: German Band Blends Screamo and Post-Hardcore on “Hoffnungstragen” (PREMIERE)
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Interviews
Pandemic Profile: Kat (FAIM)
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Features
Omega: Mexican Hardcore Band Premieres “El Enemigo Soy Yo Mismo” Music Video
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Features
ROT: Minnesota Band’s “Government Issued Noose” Is a Brute Shot of Metallic Hardcore (PREMIERE)