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In Case You Missed It
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Features
House of Disorder Festival 2023 Photos
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Features
anvilchandelier: San Diego Band Rides for Late ’90s & Early ‘00s Metalcore
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New Zine Chronicles Bad Brains’ 1983-2007 Belgium & Netherlands Tours
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Features
Record Label Profile: GGT Records
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Interviews
Torn Apart Drummer Aaron Friedman on the Baltimore Band’s History, Upcoming Reunion Shows
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Ecotage: Finnish Vegan Metal Unit on Their Debut EP + Their Lyrical & Musical Influences
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Reviews
Burt Bacharach, A Life in Song (Eagle Rock Entertainment, 2016)
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Point of Contact: Tampa SXE Hardcore Unit Deliver the Goods on Commitment (LP PREMIERE)
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District 105: Quartet Represents Underground Vietnam Music Scene via Vicious Metalcore
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New Artist Focus: Rain of Salvation
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Selfist’s “Blowback Effect” Is an Energetic Shot of Politically-Minded Melodic Hardcore
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Interviews
Jay Graydon (Producer, Songwriter, Session Musician: Al Jarreau, Steely Dan, Hall & Oates)
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Reviews
End It, Unpleasant Living (Flatspot Records, 2022)
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Reviews
SPEED, Gang Called Speed (Flatspot Records/Last Ride Records, 2022)
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Features
7Seconds to Release “Reimagined” Version of Classic LP Done by Ian MacKaye
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Old Wounds, Vatican, + Heavens Die at Black Water, Portland, OR (PHOTOS + REVIEW)
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Vegas Hardcore Weekend Recap (Drain, Vein.fm, Thirdface, Pain of Truth, Scrutiny)
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Reviews
STORM{O}, Reboot System - Rebound Collective (Self-Released, 2020)
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Without Love: UK Hardcore Unit Focuses on “Common Enemy” via New Track (PREMIERE)
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Interviews
A Life In Hardcore: Franklin Rhi (Crown of Thornz, 108, Shelter)