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In Case You Missed It
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Interviews
Rule Them All Vocalist Jon Gusman on His Other Life as a Visual Artist
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Features
Forewarned, Rotworld, Bayonet + Frontside @ Red Brontosaurus Records, San Diego (PHOTOS)
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Features
Enact: Pacific Northwest Straight Edge Hardcore Band Returns With “Redefined” (PREMIERE)
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Features
The Internet Has a Hard Time Understanding Shoegaze (OP-ed)
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Features
ZEX: Canadian Punks Channel the Spirit of ‘80s Goth on “Steel Gates” (VIDEO PREMIERE)
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Features
The Weight We Carry: Rochester Hardcore Quintet Return w/ “Darkhorse” (PREMIERE)
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Reviews
Alienator, World of Hate (Convulse Records, 2023)
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Features
Bent Blue: Melodic Hardcore Keeps Thriving on “Where Do Ripples Go?” (PREMIERE)
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Features
War Within: Scottish Band Pays Tribute to Classic H8000 Era via Arkangel Cover (PREMIERE)
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Features
OC Rippers: New Jersey Punk Band Favors Fun & Volume on New Album
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Features
Blvd of Death: Italian Band Worships at ‘90s NYHC Altar
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Lists
10 Albums That Shaped Mount Cyanide
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Interviews
Steve Zing (Samhain, Danzig, Mourning Noise, Son of Sam, The Undead)
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Reviews
Wall Breaker, Demo (Bleeding Edges Label, Absolute Contempt Records, 2017)
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Lists
Top 5 Double-Drummer Bands of All Time, by Set and Setting
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Interviews
Work HARD, PLAY HARDcore: Rob Pennington
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Features
The Casualties: Street Punk Kings Return with “So Much Hate” Music Video (PREMIERE)
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Record Collectors
Record Collector: Caroline Favorite, aka carolsvinyl
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Features
New Artist Focus: Choices Made
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Features
Ulamog: Virginia Band’s Debut Album Brings to Mind Late ‘80s Crossover Thrash Metal