In Case You Missed It
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Record Collectors
Record Collector: Matthew Taylor (Monotrope, Bellini)
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Features
Daughters + Street Sects @ Metro Gallery, Baltimore (PHOTOS)
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Features
I Am Become Death Deliver Flesh-Ripping Hardcore on “Foe” (Song Premiere)
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Features
Mantlet: British Band Loves Metallic Hardcore, Mosh Parts + At the Gates
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Features
Goodgirl: Texas Trio Combine Melody + Distortion on Debut EP (PREMIERE)
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Interviews
Don Fury (Producer: Judge, Quicksand, Gorilla Biscuits, Underdog, Inside Out)
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Features
Track Premiere: Panicker, "Heave" from Panicker (Three One G Records, 2017)
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Reviews
Stud Count, Stud Count (Smartpunk Records, 2022)
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Features
Error: Singapore-Based Outfit Produces Vicious Metalcore on New Offering
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Features
Mile End: Canadian Hardcore Band Shows Love for Their Hometown on “FCHC”
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Features
Record Label Profile: Extinction Burst
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Reviews
The Beeves, Adam & Beeve (Self-Released, 2019)
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Interviews
Open City Drummer Chris Wilson Disccusses Their Superb New Album, Hands in the Honey Jar
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Features
fallfiftyfeet Guitarist Jim Becca on Their Debut Album, Being Labeled “Metalcore” + More
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Features
Gaffa Ghandi: Post-Hardcore Combo Creates Thundering Riff Maze on “Symphony of Swag” (PREMIERE)
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Reviews
Beyond Pain, Humans Are Actual Pain. (To Live A Lie Records, 2018)
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Features
Sunset: Hardcore Band Featuring Ex-Members of Harvest and Holding On Inks Label Deal
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Interviews
Jake Kiley (Strung Out)
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Reviews
Combust, Another Life (Cash Only Records, 2022)
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Features
The Venomous Pinks’ “Broken Hearts Club” Sounds Like a Lost ‘90s Pop-Punk Gem (PREMIERE)