In Case You Missed It
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Interviews
Pandemic Profile: Keith Murray (Deathwish Inc.)
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Features
Innumerable Forms + Kommand @ Zebulon, Los Angeles (PHOTOS)
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Features
New Clear Future: West Virginia Hardcore Band Wants to Help Revitalize Their Local Scene
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Features
Concrete: Albany Hardcore Band Dishes Out Brutality on Free Us from Existence (PREMIERE)
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Features
Point of Contact Vocalist Talks Tampa Straight Edge Band’s Excellent Brand New EP
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Features
Palefire Singer Christine Doan Discusses the ‘90s California Band’s New Discography
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Features
Fixation: Philly Hardcore Outfit Signs with WAR Records, Announce Debut EP
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Features
Terror: LA Hardcore Institution Returns with Sink to the Hell EP (EXCLUSIVE INTERVIEW)
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Reviews
Gulch, Impenetrable Cerebral Fortress (Closed Casket Activites, 2020)
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Interviews
Bassist Spotlight: Trevor Neely (Guerrilla Warfare)
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Features
Redbait: St. Louis Hardcore Band Return with “Capital Gains” (PREMIERE)
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Features
Last Gasp: New Cleveland Band Lives for Fast Hardcore
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Features
Gravedweller: ‘90s Alt-Rock Hooks & Shoegazy Guitars Meld on Austin Band’s “Losing Me”
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Reviews
200 Stab Wounds, Slave to the Scalpel (Maggot Stomp, 2021)
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Interviews
If I Ruled the World Podcast Hosts George Reynolds & Sam Hoyos
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Features
Become One: Long Island Hardcore Group Returns with “False Operative” (PREMIERE)
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Reviews
Hate Force, Hate Force (Closed Casket Activities, 2019)
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Features
Momentum: Los Angeles Metallic Hardcore Reigns Supreme on Two New Tracks
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Reviews
Outer Heaven, Realms of Eternal Decay (Relapse Records, 2018)
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Features
Eyewash: Pittsburgh Band Injects Crushing Guitars to Their Sound on New Track