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In Case You Missed It
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Features
Morning Again to Return with New EP on Revelation Records
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Lists
Freddy Alva’s Top 12 of the Year
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Interviews
Nate Wilson (Das Oath, Monster X, Devoid of Faith, Green Dragon, Gloom Records)
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Features
Intercourse: Hardcore/Noise Rock Band Goes Gnarly on “I Need Saturday Off So I Can Play a Teenager’s Basement”
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Features
The Oi! Files: The Feckin’ Ejits
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Interviews
Straight Edge Kegger Director Jason Zink Combines Hardcore & Horror in His New Film
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Features
Orthodox Announce US Tour with Chamber (select dates w/ I Am, Purgatory, Joy + Piece of Mind)
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Record Collectors
Record Collector: Matthew Taylor (Monotrope, Bellini)
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Features
Demons: “Post-Whatever Rock” Band Kick Ass, Raise Money for Important Cause
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Features
Kill Your Idols Guitarist Gary Bennett on LIHC History, Going Full Time & His Fave KYI Song
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Features
Orphaned: Ohio Blackened Crust Band Tells a Police Story on “Mourner” (PREMIERE)
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Interviews
Art Liboon (Mordred)
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Reviews
True Love, Heaven's Too Good for Us (Bridge Nine Records, 2016)
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Features
Dead History: Minneapolis Group Brings to Mind ‘90s Post-Hardcore Sound on Debut LP
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Features
New Artist Focus: Watchdogs
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Features
Big Water: Kansas City Trio Dish Up ‘90s-Styled Angular Hardcore on New Track (PREMIERE)
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Lists
Best 10 Hardcore Albums of 2020
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Reviews
Never Ending Game, Welcome to the... (Self-Released, 2018)
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Lists
5 Metal Albums That Deserve Reissue Treatment, by Trevor Strnad (The Black Dahlia Murder)
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Interviews
End on End Founder Brian Gathy Discusses His New Podcast on All-Things Dischord Records