In Case You Missed It
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Features
City of Industry: Seattle Hardcore Trio Declare “My Throat Is An Open Grave” (PREMIERE)
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Features
Cruelty of the Heavens Is a Band That Deserves a Wider Audience (REVIEW/INTERVIEW)
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Interviews
Citizens Arrest Band Members Discuss the Making of Colossus Album on Its 30th Anniversary
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Reviews
Tony Molina, Kill the Lights (Slumberland Records, 2018)
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Features
“Female-Fronted” Is Not a Fucking Genre
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Reviews
Firearm, Dravecky EP (Self-Released, 2018)
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Features
FYA Fest 2020: Day 1 Photos
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Features
New Artist Focus: The Fight
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Reviews
Great Falls, Objects Without Pain (Neurot Recordings, 2023)
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Interviews
Anthony Pappalardo (In My Eyes, Ten Yard Fight, Author: Radio Silence Hardcore Book)
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Features
Born Cursed: Massachusetts Hardcore Punk Outfit’s New EP Kicks Ass
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Lists
Best Thrash Ballads
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Features
Periphery, Veil of Maya + Covet @ TLA, Philadelphia (PHOTOS)
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Features
Daydream: Portland Trip Cook Up Psych-Kissed Hardcore Punk on Reaching for Eternity LP
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Features
mt.ida: Philadelphia Trio Melds Dissonance x Melody via “Almond” (PREMIERE)
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Features
Long Knife Vocalist Colin Jarrell Talks Curb Stomp Earth & Portland Hardcore Punk Scene
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Features
Throw the Goat: California Metal Trio on Their Latest Album, Signing with Combat Records
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Features
Deafheaven, Drab Majesty + Uniform @ 9:30 Club, Washington, DC (PHOTOS)
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Reviews
Kings Never Die, It's What We Live For (Upstate Records, 2021)
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Features
Delusion: Members of World of Pleasure, Trench Form New Hardcore Band (Thankfully)