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In Case You Missed It
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Reviews
Unsanitary Napkin, All Billionaires Are Bastards (Hardcore Victim/Sorry State Records, 2022)
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Features
Grasp: Boston Hardcore Outfit’s Latest EP Is Like Listening to a “Mental Breakdown”
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Features
One of My Biggest Influences: Tony Erba (9 Shocks Terror, Face Value, H100s) on Evel Knievel
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Features
More Than Music Festival 1993 (Earth Crisis, Fountainhead, Ressurection, Iconoclast + More)
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Features
Conjoined Twin: LA Band Delivers Left of Center Hardcore Punk on The Fall of America EP
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Features
LastLight: Melodic Hardcore Outfit Push Forward the “Dashed Lines” (VIDEO PREMIERE)
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Features
No Escape: ‘90s New Jersey Hardcore Group Returns with “Insomniac” (PREMIERE)
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Features
Anoint the Sick: Skycamefalling, This is Hell Members Form New Band
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Reviews
Black Mercy, For the Man That Has Everything ((iN)Sect Records, 2020)
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Features
Collective Action: Roanoke Hardcore Band Takes Youth Crew Path on New Demo
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Interviews
Antidote Guitarist Robb βNunzioβ Ortiz on Early NYHC, Thou Shalt Not Kill + More
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Features
Wrecking Ball Metal Madness 2022: See Photos From the Dallas Festival
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Reviews
True Love, Heaven's Too Good for Us (Bridge Nine Records, 2016)
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Reviews
Light This City, Terminal Bloom (Creator-Destructor Records, 2018)
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Features
Hardcore Album of 2019: Heavy Vibe Music, by Gazm
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Interviews
Richard Brown (The Proletariat)
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Reviews
New Breed Documentary 1989, Directed by John Woods (Wardance Productions, Nightfilms, 2016)
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Features
Broken Vow Singer Tommy Harte Talks New England Hardcore, Their New Split Release + More
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Features
Dose: Iowa Hardcore Band Celebrates Label Deal, Drops Two New Tracks From Debut LP
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Features
This Is Hardcore 2019: Day 3 Photos