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In Case You Missed It
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Record Collectors
Record Collector: Sebastian Moreno, aka iron_speedbass
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Features
Chat Pile: Oklahoma Noise Rockers Announce Debut LP, Drop Bloody Video for First Single
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Reviews
Spell, For None and All (Bad Omen Records, 2016)
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Features
Headcheese: Canadian Quartet Fires Up Catchy ‘80s-Inspired Hardcore Punk on Debut Album
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Features
World I Hate: Milwaukee Hardcore Band’s “Safer in Jail” Is a 100% Ripper (PREMIERE)
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Interviews
Original Leeway Drummer George Saso Motroni on the Band’s Early Days
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Features
Christian Lovers: Long Beach Noisecore Outfit Goes Bi-Coastal on Newest Release
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Features
XweaponX & World of Pleasure Team Up on Powerful New Split EP
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Features
Backtrack: Members of the HC Scene Celebrate the Band on the Eve of Their Breakup (EXCLUSIVE)
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Features
Super Dark Collective Keeps the Underground Alive in Upstate New York in the Age of COVID
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Lists
Top 5 Old School Computer Games, by Jon Davis (Conan)
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Reviews
The Chisel, What a F*cking Nightmare (Pure Noise Records, 2024)
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Features
Nuclae: A Conversation with Ex-Integrity Guitarist Aaron Melnick About His New Musical Project
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Features
Griphook: Ohio Power Violence Group Embraces Brutality on Debut EP
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Interviews
Chris Zusi (Floorpunch, Search, Ressurection, The Judas Factor, Release)
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Lists
Our (Not So) Heavy Influences, by Slowbleed
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Reviews
Deep Purple with Orchestra, Live in Verona (Eagle Rock Entertainment, 2014)
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Interviews
YDI Vocalist Neil “Jackal” Perry Looks Back on the Philly Band’s History
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Features
Pins of Light + Charger at Bender’s, San Francisco (PHOTOS)
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Features
Dying Fetus, Incantation, Gatecreeper + Genocide Pact @ Baltimore Soundstage (PHOTOS)