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In Case You Missed It
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Reviews
Chueko, Tools of Oppression (Black Water Records, 2023)
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Features
Schedule 1: Bishops Green, Systematik Members Deliver Big Hooks on “Show Your Children” (PREMIERE)
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Features
Drug Apts: Weirdo Punks Write a Fight Song with “Straight Shooter”
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Features
Fedsmoker: New Trio Grinds Hard on “Splatter Pattern” (PREMIERE)
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Reviews
Duffy's Cut/The Idle Gossip, Split (Oi! the Boat/Contra Records, 2015)
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Interviews
Sean Mears (Gatecreeper, Territory, Languish)
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Features
Introducing… Shiners Club
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Features
Louisiana Lot Lizards Get Their Revenge on “When It All Went Black” (PREMIERE)
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Record Collectors
Record Collector: Doug Wurzer, aka microphone_check_1_2
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Features
Tension Span: Neurosis, Dystopia Members Take Post-Punk Path on “Cracked Society” (PREMIERE)
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Interviews
Pandemic Profile: Kat (FAIM)
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Interviews
Cutting Steak: Shawn Costa (Fiddlehead, Have Heart, FREE, Sweet Jesus, Verse)
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Features
Gumm: Tennessee Melodic Punk Band’s “No Frontier” Single Is Worthy of Your Attention
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Features
Victory Garden: New LIHC Band Features Some Familiar Faces
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Features
Burial Waves (Members of Pianos Become the Teeth, Black Clouds) Drop “Light Heads” Music Video (PREMIERE)
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Photo Spotlight
Photographer Spotlight: Ken Penn
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Reviews
Seattle's New Gods, Burnpile (Dogboy Records, 2018)
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Lists
Top 10 Japanese Anything, by Shelby Cinca (Tanimura Midnight)
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Features
Is Infinite Granite Deafheaven's Kid A Moment?
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Features
The Path: Vermont Hardcore Band Goes Hunting for Nazis on “Neckbeard Death March”