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In Case You Missed It
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Interviews
Swing Kids Vocalist Justin Pearson Looks Back on Their Sound, Visual Aesthetic + More
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Reviews
Walking Bombs & Gridfailure, Suicide by Citizenship (Nefarious Industries, 2019)
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Features
Obituary, Exmortus, Red Death + Bound By the Grave @ Baltimore Soundstage (PHOTOS)
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Features
Nopes: Bay Area Noise-Punks Show Up with Riffs on “Smile Room” (PREMIERE)
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Features
ClearxCut (Members of Heaven Shall Burn, Implore) Warn of a World “Collapse” (PREMIERE)
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Features
Silent Era’s “Heart Lay Down” is a Slice of Frenzied Yet Melodic Hardcore Punk (PREMIERE)
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Features
Cross Control: Los Angeles Hardcore Band Teases Debut LP via “Half Right” Music Video
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Features
Mad Sense: Bitter End Guitarist Jacob Henderson on His New Project, Future Band Plans
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Features
Part 2, 1985 - 1990: The Hispanic Impact on the Early New York Hardcore Scene
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Features
Redwoods: Influenced by ‘90s Screamo, SoCal Band Issues Debut EP (PREMIERE)
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Features
Stream Two Tracks from Forthcoming Tribute to The Jesus Lizard's Goat Album
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Features
Fastix: New UK Hardcore Band Kick Off 2020 with Purpose
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Features
Swallow the Rat: Auckland Band Brings ‘90s College Rock and Post-Punk Vibes on Debut LP
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Reviews
Spiritual Cramp, Television (Deranged Records, 2018)
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Interviews
Bassist Spotlight: Scott Winegard (Texas Is the Reason, Fountainhead, New End Original, Too Many Voices)
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Features
Mosh N’ Roll: How to Prevent Your Wheelchair from Turning Into a Tin Can at a Hardcore Gig
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Features
Everyone Dies In the End: David Lynch Meets Sigur Rós on "What's Best In Life" (Premiere)
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Interviews
Rob Moss (Artificial Peace, Government Issue) Talks Classic Hardcore + New Solo Record
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Reviews
Tomb Mold, Manor of Infinite Forms (20 Buck Spin, 2018)
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Features
Seek Nothing: Berlin HC Crew Whip Up a Dancefloor Beast with “Coma” (SONG PREMIERE)