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In Case You Missed It
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Interviews
Jason Netherton (Asphalt Graves, Misery Index, Dying Fetus)
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Features
DIY or Die: A Helpful Guide to Vinyl, Cassette + CD Pressing Plants for Underground Artists
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Reviews
Foreign Hands, Bleed the Dream (DAZE, 2022)
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Features
C.R. Guitarist Mike De Lorenzo on the ‘90s Hardcore Band’s New Discography LP
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Features
Scream & Soulside: DC Hardcore Icons Share the Stage in Los Angeles with Friends (PHOTOS)
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Features
Burn: NYHC Greats Share Timely Message in “Ill Together” Music Video (PREMIERE)
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Features
Light This City, Gygax + Pissed Regardless @ Viper Room, Hollywood, CA (PHOTOS)
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Record Collectors
Record Collector: Mark Deutrom (Bellringer, Melvins, Clown Alley, Alchemy Records)
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Interviews
Isaac Golub (A Chorus of Disapproval, A18, Dear Furious)
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Lists
bigLOVE: Sammy Urwin (Employed to Serve) Lists His New Project’s Prime Influences
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Features
First Day Out: Atlanta Hardcore Band Gets to the Point on “Ten Toes Down” (PREMIERE)
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Photo Spotlight
Photographer Spotlight: Jonathan Velazquez
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Features
The Story Behind the Brooklyn Blast Furnace Podcast
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Reviews
Tomb Warden/Bruised Ego/Street Feet/Hit-Run Drivers, Four-Way Split (Fake Crab Records, 2019)
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Record Collectors
Record Collector: Jay Reason
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Interviews
Matt Wieder (Miracle Drug, Mouthpiece, The Enkindels, Frontier(s), Guilt, Automatic)
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Features
Final Dose: London Band Delivers Black Metal-Infused Hardcore Filth on “Like Rats”
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Reviews
Precious, Sick Rooms (Indecision Records, 2018)
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Features
Drain Sign to Revelation Records
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Features
Half Man: Brisbane Bruisers Serve Up a Dirge for the End Times on “Man Proposes, but God Disposes”