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In Case You Missed It
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Reviews
Zulu, My People... Hold On (Self-Released, 2020)
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Features
The New Wave of British Hardcore
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Features
‘90s Hardcore Photo Party (Upstate New York Edition)
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Reviews
200 Stab Wounds, Slave to the Scalpel (Maggot Stomp, 2021)
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Record Collectors
Record Collector: Marc Strömberg (Hardcore and Soda, Visual Artist)
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Features
Gutter Knife: UKHC Band Make Music Fit for Their Name
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Features
Hell Can Wait: UKHC Group Goes “Monochrome” on First Single from Debut EP (PREMIERE)
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Reviews
SUMAC, Love In Shadow (Thrill Jockey, 2018)
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Features
Calling Hours: Listen to Debut Track from Ex-Farside Singer Popeye Vogelsang’s New Band
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Features
Outburst: Go Back in NYHC History with New Documentary (PREMIERE)
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Reviews
Wanderer, Liberation From a Brutalist Existence (Bad Mouth Records, Entelodon Records, 2021)
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Features
New Photo Books Celebrate Swedish Hardcore Scene from ‘90s + ‘00s
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Features
Offhand: Nashville Hardcore Punk Unit Whips Up Mayhem on “Collateral Damage” (PREMIERE)
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Features
Nowhere Roads: Mems. of Floorpunch, Wisdom in Chains, Edgewise Drop Debut Track (PREMIERE)
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Features
Friction: Toronto Hardcore Band Closed Out 2022 with Two New Heaters
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Features
Public Opinion: Jeremy Evans (Coke Bust, Wallbreaker) Talks About His New Hardcore Band
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Features
Fedsmoker: New Trio Grinds Hard on “Splatter Pattern” (PREMIERE)
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Interviews
Integrity Singer Dwid Hellion on Boyd Rice, Dadaism + Much More
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Features
Pilau: Ex-Members of Assholeparade, Magrudergrind Return with "Nowhere to Hide" (PREMIERE)
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Reviews
Journey, Live in Manila (Eagle Rock Entertainment, 2016)