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Interviews
Bridge Nine’s Chris Wrenn on How Sports Fans Helped Launch Have Heart, American Nightmare + Terror
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Moral Law: Denver XVX Metalcore Band Delivers Militant Message on “Abolitionist” (VIDEO PREMIERE)
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The Darling Fire: Ex-Shai Hulud, As Friends Rust Members Go Atmospheric on “Rituals” (PREMIERE)
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Silence Equals Death: NJHC Band Flips the “Switch” on New Track (VIDEO PREMIERE)
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Backpatches of the 2014 Maryland Deathfest
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STRAIGHT EDGE Book Discussion in Los Angeles (PHOTOS)
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Red Death Bassist/Vocalist Chad Troncale on Signing with a Big Label, Their New Album
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Reviews
Crypta, Shades of Sorrow (Napalm Records, 2023)
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Gravesend, Methods of Human Disposal (20 Buck Spin, 2021)
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Sectioned: A Look at One of the UK’s Most Exciting Underground Musical Outfits
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Aswang, Say Grace (Kanak Attack Records, 2023)
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Interviews
Bassist Spotlight: Eric Odness (Ageist, Primitive Weapons, The Wanted)
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Bassist Spotlight: Sam Wilkerson (White Reaper)
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pg.99, Horsewhip, Truth Cult + BustDown @ Metro Gallery, Baltimore (PHOTOS)
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John Pettibone (Heiress, Himsa, Undertow)
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Skourge, Kept In Line, Skeleton + Contact Grid @ Ridglea Theater, Fort Worth, TX
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Foreseen: Helsinki Gods Blend Hardcore & Heavy Metal Divinely on “Oppression Fetish” (PREMIERE)
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The Atlas Moth, Of Feather and Bone, Mustard Gas and Roses @ Resident, Los Angeles (PHOTOS)
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Brain Cave: Cleveland Post-Hardcore Outfit Returns with “Slip Off the Roof” (PREMIERE)
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Tørsö Singer Mae Toone on Bay Area Gentrification, Their Forthcoming Home Wrecked EP