In Case You Missed It
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Features
Mt. Zena: Portland Hardcore Band Creates Its Own Lane with Acceleration! EP
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Features
Unblind: Cleveland HC Band Has No Time for Fox News Ignorance on “Refuge” (PREMIERE)
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Features
Tuscon DIY Venue Gets Shut Down, Local Hardcore Scene Steps Up
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Features
RÅPUNK: New Book Chronicles the Swedish Hardcore Scene from 1981–1989
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Reviews
Lonely Boy: Tales From a Sex Pistol, by Steve Jones and Ben Thompson (Da Capo Press, 2017)
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Reviews
BIG|BRAVE, A Gaze Among Them (Southern Lord, 2019)
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Features
Goodgirl: Texas Trio Combine Melody + Distortion on Debut EP (PREMIERE)
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Features
Shai Hulud Guitarist Matt Fox Looks Back at Each of Their Studio Albums (EXCLUSIVE)
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Features
illMatic: Detroit Group Teams with Aztek the Barfly on “Rat Traps” (VIDEO PREMIERE)
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Features
War Babies: NYHC Musicians Come Together for New Project
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Interviews
Thirty Nights of Violence Singer Zach Wilbourn on Their New EP, the Nashville Hardcore Scene
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Reviews
No Use for a Name, Rarities Vol. 1: The Covers (Fat Wreck Chords, 2017)
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Lists
2021 Favorite Music Releases, by Freddy Alva
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Features
Milquetoast: Trio Melds ‘80s West Coast-Styled Punk & Sludge on “Dead Inside” (PREMIERE)
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Interviews
This Is Hardcore Founder Joe McKay on Putting the 2019 Lineup Together (EXCLUSIVE)
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Reviews
Fright, Fright (Gloom Records, 2021)
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Features
Fixation: Philly Hardcore Group Goes Live at the Knife Lair in New Video Performance
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Reviews
Chimes of Bayonets, Indexer (HABITFORMING Records, 2021)
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Features
Forced Under: East Coast Hardcore Band Brings the Beatdown on Latest EP
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Features
Feverchild: New Belgian Quintet Embraces ‘90s Emo Sound, Drops Stellar EP