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In Case You Missed It
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Features
Shit Narnia: Australian Group’s “Abundant, Scattered” Is a Post-Hardcore Epic (PREMIERE)
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Lists
Best 5 Albums of 2014 from the Portland Heavy Music Scene, by Erik Olson (Lord Dying)
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Features
Escalate: First XVX Band in Hungarian History Joins New Age Records, Drops Track
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Record Collectors
Record Collector: Tom Lyle (Government Issue)
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Reviews
What Awaits Us: A Beyond Story, Directed by Kevin Egan (2020)
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Features
Kaiju Daisenso: Power Violence and Monster Movies Clash in “Green Gargantua” Music Video
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Features
Greyed Out: Ex-This Time Next Year Members Take Pop-Punk Path on “Broken Like An Arrow”
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Features
Vatican + Heavens Die Discuss Their Upcoming Joint US Tour (EXCLUSIVE)
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Features
Courtesy Drop Takes Us on a ‘90s-Styled Indie Rock Journey on “Operation Meteor” (PREMIERE)
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Features
Wink One: Stand Still Vocalist Debuts Solo Electronic Project via “Change My Mind”
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Interviews
Ashli State (Ink & Dagger, Guilt)
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Features
Fiddlehead, Praise, Somerset Thrower, Line of Sight + Webbed Wing @ PhilaMOCA (PHOTOS)
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Features
Rapid Fire: North Carolina Hardcore Band’s Debut EP Is a Ripper (PREMIERE)
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Features
Prousted: Hardcore Punk Meets Primitive Black Metal on Argentine Outfit’s Demo (PREMIERE)
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Features
Cro-Mags Return with 3 New Tracks
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Reviews
Demiricous, Chaotic Lethal (Post. Recordings, 2022)
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Features
Manipulator: NYC Musician Unleashes Hellish Grindcore via “Tangled Insides” (PREMIERE)
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Features
Malice at the Palace Look Forward Backwards on (Killer) New EP
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Features
LTC Fest (Superheaven, High Vis) Founder on Launching the Inaugural Virginia Event
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Features
The Thrill: Syracuse Hardcore Band Gets Our Attention with New Track