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In Case You Missed It
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Reviews
Aswang, Say Grace (Kanak Attack Records, 2023)
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Features
Jävelin: Venom Meets D-Beat on Finnish Band's Debut Album
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Interviews
Tom Sheehan (Indecision, Most Precious Blood)
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Features
Quicksand's Slip Turns 30 Today, Musicians From Hardcore Scene Discuss Their Love for the Album
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Reviews
F**k You, Commercial, vol. 4 (2022)
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Features
Neckscars Offer Up Post-Hardcore-Kissed Punk on “First Time, Long Time” (PREMIERE)
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Features
Sarin: A Dreamlike Metallic Soundcape Is Delivered on “Ocean Burn” (Song Premiere)
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Interviews
xXx Fanzine: Author Mike Gitter Looks Back at '80s Hardcore and Beyond for His New Book
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Interviews
Regional Justice Center’s Ian Shelton: The Personal and Political in Power Violence
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Features
My People Fest 2023: German Hardcore Event Expands In Its Second Year (EXCLUSIVE)
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Features
Malice at the Palace Look Forward Backwards on (Killer) New EP
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Features
Stay Put: UK Duo Brings ‘90s-Styled College Rock on Debut Tracks
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Interviews
A Wilhelm Scream Discuss New Album, the Importance of the ‘90s Hardcore Scene + More
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Features
Defective Chain: Extinguish, Field of Flames Members Take Japanese HC Path in New Band
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Features
Godcollider: L.A. Metallic Hardcore Unit Offers First Taste of Unhallowed Blasphemies EP (PREMIERE)
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Reviews
U.S. Bombs: Clash Tribute and Hollywood Gong Show EPs (Slope Records, 2017)
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Features
Wrong War: Chicago Hardcore Outfit Returns With “Once Upon a Weapon” (PREMIERE)
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Reviews
Foreseen, Grave Danger (20 Buck Spin, 2017)
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Record Collectors
Record Collector: Doug Wurzer, aka microphone_check_1_2
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Features
Yōkai: LA Hardcore Band Discusses Working w/ Taylor Young (God’s Hate) on New Album