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In Case You Missed It
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Interviews
Bassist Spotlight: Joe Goldman (Code Orange)
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Features
No Echo x Jacob Paris T-Shirt 2022 (Up for Pre-Order)
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Features
Overdose Support: Noise Crew Exorcise Childhood Demons on “Restarting” (SONG PREMIERE)
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Features
Becoming A.D.: Belgian Crossover Thrash Band Proves Less Is More on New EP
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Features
Sound and Fury 2018: Photo Set #3 (Triple-B Records Showcase)
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Lists
5 Horror Movies with Insanely Great Poster Art, by Matt Kapa + Matt Izzi (Scorched)
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Features
Berthold City: Los Angeles Hardcore Band Returns with “Beware the Snakes” (PREMIERE)
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Features
City of Industry: Seattle Hardcore Trio Make Statement with “Spite Me” (PREMIERE)
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Interviews
Circle Jerks Bassist Zander Schloss on Repo Man, Working with Joe Strummer + Much More
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Features
Celebration Summer: DC Melodic Punks Are “Disconnected” in New Video (PREMIERE)
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Features
Buggy: New Jersey Hardcore Band’s Debut Demo is a Stomper
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Features
Living in Fear: Atlanta Crossover Crew Warns The Coward’s Path Ends Here... (ALBUM PREMIERE)
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Interviews
Dead Best: Adam “Atom” Goren Discusses His New Project with Brian Sokel (Franklin, AM/FM)
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Features
Category 514: Gazm Members Celebrate ‘90s-Styled Brutality via New Project (PREMIERE)
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Reviews
Alienator, World of Hate (Convulse Records, 2023)
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Record Collectors
Record Collector: Jeremy Bolm (Touché Amoré, Secret Voice, Hesitation Wounds)
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Reviews
Ball of Light, 2 Song EP (Rad Girlfriend Records, 2020)
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Features
Chiller: Pittsburgh Hardcore Punk Miscreants Keep Things Sounding Classic
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Features
Eternal Discipline: UK Hardcore Band Wages a “War of Attrition” on New Track (PREMIERE)
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Reviews
Ends of Sanity, Ends of Sanity (New Morality Zine/Daze, 2021)