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In Case You Missed It
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Interviews
Cutting Steak: Matt Izzi (Homewrecker, Scorched)
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Features
Neighborhood Brats: California Punks' Confines of Life is Their Best Record Yet (LP PREMIERE)
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Features
Bazookatooth: Nashville Hardcore Unit Deals “Deathblow” on Track From Forthcoming EP
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Features
Balance: UKHC Group Remains Focused on Catchy Hooks with “Death II Fake”
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Features
Time X Heist & Without Love: Rising US & UK Hardcore Bands Unite on New EP (PREMIERE)
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Reviews
Magic Circle, Departed Souls (20 Buck Spin, 2019)
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Features
Youth of Today, Fury, Candy + Krimewatch @ SXSW (PHOTOS)
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Reviews
The Beeves, Adam & Beeve (Self-Released, 2019)
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Features
Repellent: Minneapolis Musician’s New Solo Project Is Fast Hardcore Gold
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Features
Stunner: Michigan Hardcore Rippers Go Off on Wage Cage EP (PREMIERE)
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Features
Gutser: Canadian Punk Outfit Hails “Wicked Set Dude” In Pure Sarcasm (PREMIERE)
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Features
Single Wound: Toronto HC Band Goes “Insane” on the Mosh with New Track (PREMIERE)
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Features
Kid Presentable: Aussie Hardcore Band Gets Heavier on Latest Material
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Features
Devil’s Den: Kansas City Band Worships Japanese Hardcore on Debut Album (PREMIERE)
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Features
Utmost Shares a “Big Dose” of Melodic NYHC via New Track (PREMIERE)
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Interviews
Nathan Gray (BoySetsFire) Talks New Solo Record, Exorcising His Demons + More
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Features
Milhouse Singer Artie Philie & Guitarist Brian Meehan Look Back on Obscenity in the Milk LP
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Features
Double Life: LA Duo Deliver Powerful Post-Hardcore x Shoegaze on Debut Track (PREMIERE)
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Interviews
Bassist Spotlight: Todd Bell (Braid, Hey Mercedes, Mary Me, The City on Film)
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Features
Dose: Iowa Hardcore Band Celebrates Label Deal, Drops Two New Tracks From Debut LP